tag:blogger.com,1999:blog-50305899107126118162024-03-13T08:29:15.255-07:00FONTANA DI TREVIFONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comBlogger206125tag:blogger.com,1999:blog-5030589910712611816.post-64327212688472569462008-10-21T13:43:00.001-07:002008-10-21T13:50:15.763-07:00:: El Rembrandt más naturalista en el Prado...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEKRzNMN3QY8glK9poAUcwuYkmZ6NoLAYWa0olPKVjIyewuiR8B5NJlNDLQE6_acQM59BNtxxl3ELiwAMuEbb7uUaZHnNdJrDwqbG4dIaBmjvFfpV_zjRZCgX15ZvMiMnxn-7B2itfGaA/s1600-h/881183.jpg"><img id="BLOGGER_PHOTO_ID_5259710976874802530" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEKRzNMN3QY8glK9poAUcwuYkmZ6NoLAYWa0olPKVjIyewuiR8B5NJlNDLQE6_acQM59BNtxxl3ELiwAMuEbb7uUaZHnNdJrDwqbG4dIaBmjvFfpV_zjRZCgX15ZvMiMnxn-7B2itfGaA/s400/881183.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2HQmuSRgocbMRSgOEHsazt6MYGbCL2H3AvxBP69cxhL7ipeBYvPQTF-6g2_Mn5YGiRy2HdBnXFwX50B3IXp6rBPVKCw6sVCmvUUuUYW89Ww1ttFAMQMmmq1ZCkjDJsEahUxp8iv2iO5U/s1600-h/881190.jpg"><img id="BLOGGER_PHOTO_ID_5259710859864689186" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2HQmuSRgocbMRSgOEHsazt6MYGbCL2H3AvxBP69cxhL7ipeBYvPQTF-6g2_Mn5YGiRy2HdBnXFwX50B3IXp6rBPVKCw6sVCmvUUuUYW89Ww1ttFAMQMmmq1ZCkjDJsEahUxp8iv2iO5U/s400/881190.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisSkdFMCPvxUILzBYJXZkhWNLDENDGLqZjMIrQDo3pR2gKUAoeG9f9k8moPrLJy7zIodMnfPYyPOd5z8u1KoOcy2uBEgE6x8CNeDYe-ii-ZJ8oAVOCOETIXoErrTMp-aYRD_zZTC5rgSI/s1600-h/881192.jpg"><img id="BLOGGER_PHOTO_ID_5259710771821231730" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisSkdFMCPvxUILzBYJXZkhWNLDENDGLqZjMIrQDo3pR2gKUAoeG9f9k8moPrLJy7zIodMnfPYyPOd5z8u1KoOcy2uBEgE6x8CNeDYe-ii-ZJ8oAVOCOETIXoErrTMp-aYRD_zZTC5rgSI/s400/881192.jpg" border="0" /></a><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi67AYuF6VHHCnhuJaoxMmSUzEogOGSh0LnkYf0uABfmeZIcTLCFmMVfTUA4ZUuckhXAXCOiJs0qBxhe_Mec3aCp4MtFLsKgVBQoGp3lz21DOHS5aF1o57KHkvSMDK8FVg2ck3YL1z3lOQ/s1600-h/881193.jpg"><img id="BLOGGER_PHOTO_ID_5259710693423624466" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi67AYuF6VHHCnhuJaoxMmSUzEogOGSh0LnkYf0uABfmeZIcTLCFmMVfTUA4ZUuckhXAXCOiJs0qBxhe_Mec3aCp4MtFLsKgVBQoGp3lz21DOHS5aF1o57KHkvSMDK8FVg2ck3YL1z3lOQ/s400/881193.jpg" border="0" /></a><br /><a href="http://www.20minutos.es/galeria/5275/0/0/exposicion/Rembrandt/Prado/" target="_blank"><strong><span style="font-size:130%;">El Rembrandt más naturalista en el Prado</span></strong></a> </div><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://pt.wikipedia.org/wiki/Rembrandt"><strong>Rembrandt</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.historianet.com.br/conteudo/default.aspx?codigo=500"><strong>Biografias: Rembrandt </strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.ibiblio.org/wm/paint/auth/rembrandt/"><strong>WebMuseum: Rembrandt</strong></a><strong> </strong></div><div><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://educacao.uol.com.br/biografias/ult1789u335.jhtm"><strong>Rembrandt </strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://en.wikipedia.org/wiki/Rembrandt"><strong>Rembrandt </strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.pintoresfamosos.com.br/?pg=rembrandt"><strong>Pintores Famosos</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.rembrandthuis.nl/"><strong>Rembrandt House Museum</strong></a><strong> </strong></div><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.artcyclopedia.com/artists/rembrandt_van_rijn.html"><strong>Rembrandt van Rijn </strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.rembrandtpainting.net/"><strong>Rembrandt van Rijn</strong></a><strong></strong></div><div><strong><br /><br /> </div></strong><div></div></div></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-42564496367418570542008-10-21T06:33:00.001-07:002008-10-21T06:39:34.866-07:00:: Caravaggio...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI9gsdvHFDoH-Sz7q6OOhaCmFPxbub3_ODYO4TFXCP-0lenxTnDyVDbJcvBMbSoQq8BBhL8w6secf4gVRw4j15V_eoxVa3XcbgdrpY6loU9s8njpbEs_fZchI3SssTGFUrYhV5nb__o5Q/s1600-h/eccehomo.jpg"><img id="BLOGGER_PHOTO_ID_5259600244606832370" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI9gsdvHFDoH-Sz7q6OOhaCmFPxbub3_ODYO4TFXCP-0lenxTnDyVDbJcvBMbSoQq8BBhL8w6secf4gVRw4j15V_eoxVa3XcbgdrpY6loU9s8njpbEs_fZchI3SssTGFUrYhV5nb__o5Q/s400/eccehomo.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuu2kt1hM8DumWT5bPUjR6C2r0sclk9vqmH3fwSFjCvFxLnpBW9sk5xBW3QnRWaEclN4urC6e2ao8J_2LqZU6wjY46caNh1ISYQhnSISDVMmrmM0hRxDr8CstgAzs_5ce3n7keKbtEK_I/s1600-h/david_goliath.jpg"><img id="BLOGGER_PHOTO_ID_5259600164067581698" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuu2kt1hM8DumWT5bPUjR6C2r0sclk9vqmH3fwSFjCvFxLnpBW9sk5xBW3QnRWaEclN4urC6e2ao8J_2LqZU6wjY46caNh1ISYQhnSISDVMmrmM0hRxDr8CstgAzs_5ce3n7keKbtEK_I/s400/david_goliath.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKeDC1BxMR8L1gDMt8XMuJ2r1uecVY5pQUH7nrQEFQssYF03CZjABh6S5EN58LIX93fspzQFXjdbseRAdzL3vJo76R8k3ysGagrglJyhMHOI5CPtR77-qxcjJku5V4kXLZCtD0eindduI/s1600-h/carav_david_goliath.jpg"><img id="BLOGGER_PHOTO_ID_5259600084967175826" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKeDC1BxMR8L1gDMt8XMuJ2r1uecVY5pQUH7nrQEFQssYF03CZjABh6S5EN58LIX93fspzQFXjdbseRAdzL3vJo76R8k3ysGagrglJyhMHOI5CPtR77-qxcjJku5V4kXLZCtD0eindduI/s400/carav_david_goliath.jpg" border="0" /></a><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4dmII_TWs4n2seiXrgwBA2d-9vcEWuWunGzs_EJUavtzHfhz_TALq3ddukkq46xtMoAqMD5W961P-hfFfIDijgb5_ragTifTsYa45lqFa97CZn5WVgt-c_IBinyQD5ybUGAXM_3BJfqc/s1600-h/david_hfd_goliath.jpg"><img id="BLOGGER_PHOTO_ID_5259599996250673426" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4dmII_TWs4n2seiXrgwBA2d-9vcEWuWunGzs_EJUavtzHfhz_TALq3ddukkq46xtMoAqMD5W961P-hfFfIDijgb5_ragTifTsYa45lqFa97CZn5WVgt-c_IBinyQD5ybUGAXM_3BJfqc/s400/david_hfd_goliath.jpg" border="0" /></a><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC5cex01gAy1LZ3Csuz0ODp-Q_GXzOUHUST1aqmep9JKlEkTf1uordL-7kVb85y5mqV5mX1HDrYGehx9AyNbaRf1RUGhp1kGVMkiycjgOWpBOjjtfvER5nfg30VAoY0FLKicdvHh_-Vpc/s1600-h/judith.jpg"><img id="BLOGGER_PHOTO_ID_5259599916171400274" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC5cex01gAy1LZ3Csuz0ODp-Q_GXzOUHUST1aqmep9JKlEkTf1uordL-7kVb85y5mqV5mX1HDrYGehx9AyNbaRf1RUGhp1kGVMkiycjgOWpBOjjtfvER5nfg30VAoY0FLKicdvHh_-Vpc/s400/judith.jpg" border="0" /></a><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW2dHqBA3DdQB-dsTAWZoyvkmkpCaT64-E53DWOoOLpCQnI_8lGat-jDk-BZUFZy__GkTRCo7zcNOci1MR4JTfVXpwZFGshiLdVouKmf2nqBxY-_Ai235HOiaMOWp8LEDNDZC47ZWR5Do/s1600-h/thomas.jpg"><img id="BLOGGER_PHOTO_ID_5259599833475776322" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW2dHqBA3DdQB-dsTAWZoyvkmkpCaT64-E53DWOoOLpCQnI_8lGat-jDk-BZUFZy__GkTRCo7zcNOci1MR4JTfVXpwZFGshiLdVouKmf2nqBxY-_Ai235HOiaMOWp8LEDNDZC47ZWR5Do/s400/thomas.jpg" border="0" /></a><br /><a href="http://www.artbible.info/art/work/caravaggio.html" target="_blank"><br /><br /> <strong>Caravaggio</strong></a><strong>:<br />The Flagellation [1]oil on canvas, 1607Museo di Capodimonte, Naples</strong></div><strong><div><br /><a class="imgob" href="http://images.google.com.br/images?q=caravaggio&hl=pt-BR&rlz=1G1GGLQ_PT-BRBR291&um=1&ie=UTF-8&sa=X&oi=images&ct=title">Resultado das imagens para caravaggio</a><a href="http://images.google.com.br/imgres?imgurl=http://www.lexscripta.com/graphics/Jerome/caravaggio.jpg&imgrefurl=http://www.lexscripta.com/links/cultural/jerome.html&h=465&w=640&sz=51&tbnid=km0gPoQJtCyDdM:&tbnh=100&tbnw=137&prev=/images%3Fq%3Dcaravaggio%26um%3D1&start=1&sa=X&oi=images&ct=image&cd=1"></a> <a href="http://images.google.com.br/imgres?imgurl=http://www.abcgallery.com/C/caravaggio/caravaggio22.JPG&imgrefurl=http://www.abcgallery.com/C/caravaggio/caravaggio22.html&h=547&w=745&sz=29&tbnid=QHV4oNYQv4xQSM:&tbnh=104&tbnw=141&prev=/images%3Fq%3Dcaravaggio%26um%3D1&start=2&sa=X&oi=images&ct=image&cd=2"></a> <a href="http://images.google.com.br/imgres?imgurl=http://tollelege.files.wordpress.com/2007/12/caravaggio_st_paul.jpg&imgrefurl=http://tollelege.wordpress.com/2007/12/06/the-conversion-of-saint-paul-by-caravaggio/&h=814&w=616&sz=71&tbnid=DlzXLFkbTPTNnM:&tbnh=144&tbnw=109&prev=/images%3Fq%3Dcaravaggio%26um%3D1&start=3&sa=X&oi=images&ct=image&cd=3"></a> <br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://pt.wikipedia.org/wiki/Caravaggio">Caravaggio </a><br /><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://pt.wikipedia.org/wiki/Caravaggio_(Lombardia)">Caravaggio (Lombardia) </a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.historianet.com.br/conteudo/default.aspx?codigo=560">Biografias: Caravaggio </a><br /><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://en.wikipedia.org/wiki/Caravaggio">Caravaggio - Wikipedia</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.ibiblio.org/wm/paint/auth/caravaggio/">WebMuseum: Caravaggio</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.vidaslusofonas.pt/caravaggio.htm">Caravaggio</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.girafamania.com.br/artistas/personalidade_caravaggio.html">Caravaggio</a><br /><br /><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.caravaggio.com/">Caravaggio</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.artcyclopedia.com/artists/caravaggio.html">Caravaggio</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.christusrex.org/www2/art/caravaggio.htm">Art Gallery: Caravaggio</a><br /><br /></strong><br /><br /></div><div></div></div></div></div></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-90041653600460215962008-09-15T16:03:00.000-07:002008-09-15T16:10:50.067-07:00:: Augustin, Jacques-Jean-Baptiste...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGk9bSj6-n80SGNGh-dZzw3EzXmOO2h5L573uy0iYM844XvUlUVG-AKaAbzI_XOXdFxJhcFTvOL1foZXrjtPM2MFPnnK7P_pGsVPHIPP6XnQqzoZhyDPf_kSUWon_Agzk5yb2sYEjJ2fY/s1600-h/bacchant.jpg"><img id="BLOGGER_PHOTO_ID_5246388154285625154" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGk9bSj6-n80SGNGh-dZzw3EzXmOO2h5L573uy0iYM844XvUlUVG-AKaAbzI_XOXdFxJhcFTvOL1foZXrjtPM2MFPnnK7P_pGsVPHIPP6XnQqzoZhyDPf_kSUWon_Agzk5yb2sYEjJ2fY/s400/bacchant.jpg" border="0" /></a><br /><strong>AUGUSTIN, Jacques-Jean-Baptiste<br />(b. 1759, Saint-Dié, d. 1832, Paris)<br /></strong><a onclick="return OpenOther('/html/a/augustin/index.html')" href="http://www.wga.hu/html/a/augustin/index.html"></a><br /><strong>Biography French painter. After receiving instruction in art from Jean Girardet (1709–78) and Jean-Baptiste-Charles Claudot (1733–1805), he went to Paris in 1781, where he won recognition as a miniature painter. The miniatures he painted in the 1790s, for example his portrait of Mme Vanhée, née Dewinck (1792; Paris, Louvre), are among his most animated works; often portraying figures in a landscape setting, they develop the exuberant style of Niclas Lafrensen and Peter Adolf </strong><a onclick="return OpenOther('/bio/h/hall/biograph.html')" href="http://www.wga.hu/bio/h/hall/biograph.html"><strong>Hall.</strong></a><strong> He also admired the work of Jean-Baptiste </strong><a onclick="return OpenOther('/bio/g/greuze/biograph.html')" href="http://www.wga.hu/bio/g/greuze/biograph.html"><strong>Greuze,</strong></a><strong> whose Bacchante (Waddesdon Manor, Bucks, NT) in his own collection he </strong><a onclick="return OpenOther('/html/a/augustin/bacchant.html')" href="http://www.wga.hu/html/a/augustin/bacchant.html"><strong>copied in miniature</strong></a><strong> (London, Wallace) and in enamel (Paris, Louvre). </strong><br /><strong><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.best-art-online.com/augustin-jacquesjeanbaptiste-c-1_2_160.html"> Augustin .</a><br /><a class="l" onmousedown="return clk('http://www.fineart-china.com/china/oil-painting-artist-AUGUSTIN,%20Jacques-Jean-Baptiste.html','','','res','2','')" href="http://www.fineart-china.com/china/oil-painting-artist-AUGUSTIN,%20Jacques-Jean-Baptiste.html">AUGUSTIN, Jacques-Jean-Baptiste </a><br /><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.2artgallery.com/gallery/augustin-jacques-jean-baptiste-c-41_111_174.html">Augustin, Jacques Jean Baptiste.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://en.wikipedia.org/wiki/Jean-Baptiste_Jacques_Augustin">Jean-Baptiste Jacques Augustin .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.staroilpainting.com/b_49_N.htm">Augustin, Jacques-Jean-Baptiste.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://galerea.com/Art-Museum/Rococo/AUGUSTIN-Jacques-Jean-Baptiste.fr/">AUGUSTIN, Jacques-Jean.</a><br /><a class="l" onmousedown="return clk('http://www.chinaoilpainting.com/china%20oil%20painting/artist-AUGUSTIN,%20Jacques-Jean-Baptiste.html','','','res','7','')" href="http://www.chinaoilpainting.com/china%20oil%20painting/artist-AUGUSTIN,%20Jacques-Jean-Baptiste.html"> AUGUSTIN, Jacques-Jean-Baptiste .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.xiamenoilpainting.com/htmlfind/artist-0000988.html">AUGUSTIN, Jacques-Jean-Baptiste .</a><br /><a class="l" onmousedown="return clk('http://www.intofineart.com/oil%20painting%20artist/AUGUSTIN,%20Jacques-Jean-Baptiste.html','','','res','9','')" href="http://www.intofineart.com/oil%20painting%20artist/AUGUSTIN,%20Jacques-Jean-Baptiste.html"> AUGUSTIN, Jacques-Jean-Baptiste's </a><br /><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://oil-paintings.com.au/htmlfind/artist-0000988.html">AUGUSTIN, Jacques-Jean-Baptiste </a><br /></strong>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-21748816471667141332008-09-15T15:46:00.000-07:002008-09-15T16:02:26.303-07:00:: Assereto, Gioachino...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyh0yztk_QbQ6XWfXRfxEH4FZwXnrnyL14OWKFlvtGQPFdDyM6BUtshtUbo_Bx7dQS2coZPXQQTpHU307rpveIhNPFTqkvIPe5Qk1MhEC6tEXhyGRZ0HOby-Fcz21cjKHBnrHlFX6Zgn0/s1600-h/tobias.jpg"><img id="BLOGGER_PHOTO_ID_5246384726614876802" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyh0yztk_QbQ6XWfXRfxEH4FZwXnrnyL14OWKFlvtGQPFdDyM6BUtshtUbo_Bx7dQS2coZPXQQTpHU307rpveIhNPFTqkvIPe5Qk1MhEC6tEXhyGRZ0HOby-Fcz21cjKHBnrHlFX6Zgn0/s400/tobias.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFWql6zdgmaHOP371nyTyEfPkwkC8hILKpM8C2UXa11F7UcBLWUDADrcqbgK8igBHEuj6SbzwaTVhx60VWqP4LTpAlyGqg-gEZofrl_aJtRHIpcp6KdFrdWa17GoXNZ47MahlVnjJVLpU/s1600-h/finding.jpg"><img id="BLOGGER_PHOTO_ID_5246384637481670178" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFWql6zdgmaHOP371nyTyEfPkwkC8hILKpM8C2UXa11F7UcBLWUDADrcqbgK8igBHEuj6SbzwaTVhx60VWqP4LTpAlyGqg-gEZofrl_aJtRHIpcp6KdFrdWa17GoXNZ47MahlVnjJVLpU/s400/finding.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5mLQYs4wyehxau6SABcpXwc1qj6ME6CM4u-26NaOPy8NtGyjWKAQJd-X21URKPO41eATy1zyuBD3HoIWA3hj1QSm0DzlKIqUZnSVsVZbPXDfu_xjpaZWzCbMPiowJPijuMlnIZ0yiTfY/s1600-h/moses.jpg"><img id="BLOGGER_PHOTO_ID_5246384547494445682" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5mLQYs4wyehxau6SABcpXwc1qj6ME6CM4u-26NaOPy8NtGyjWKAQJd-X21URKPO41eATy1zyuBD3HoIWA3hj1QSm0DzlKIqUZnSVsVZbPXDfu_xjpaZWzCbMPiowJPijuMlnIZ0yiTfY/s400/moses.jpg" border="0" /></a><br /><br /><strong>ASSERETO, Gioachino<br />(b. 1600, Genova, d. 1649, Genova)<br /></strong><a onclick="return OpenOther('/html/a/assereto/index.html')" href="http://www.wga.hu/html/a/assereto/index.html"></a><br /><strong>Biography<br />Italian painter. At the age of 12 he studied with Luciano Borzone and c. 1614 entered the Genoese studio of </strong><a onclick="return OpenOther('/html/a/ansaldo/index.html')" href="http://www.wga.hu/html/a/ansaldo/index.html"><strong>Andrea Ansaldo.</strong></a><strong> Among a number of lost early paintings was a large Temptation of St Anthony done at the age of 16. Several complex compositions with small figures, including the Apotheosis of St Thomas Aquinas (Lille, Musée des Beaux-Arts), the Last Supper (Genoa, Museo Accademia Ligustica di Belle Arti), the Stoning of St Stephen (Lucca, Museo e Pinacoteca Nazionale) and the Crowning of the Virgin (Taggia, Dominican Convent), perhaps date from 1616-26. These are close in style to works such as </strong><a onclick="return OpenOther('/bio/s/strozzi/biograph.html')" href="http://www.wga.hu/bio/s/strozzi/biograph.html"><strong>Bernardo Strozzi</strong></a><strong>'s bozzetto (c. 1620, Genoa, Museo Accademia Ligustica di Belle Arti) for an altarpiece of Paradise (destroyed) and to other contemporary works by Ansaldo, Giulio Benso and Giovanni Andrea de' Ferrari, which also derive their figure style from </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#mannerism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/a/assereto/biograph.html"><strong>Mannerism.</strong></a><strong><br />Assereto's earliest dated painting, SS John the Baptist, Bernard, Catherine, Lucy and George (1626; Recco, S Giovanni Battista), is distinguished by its silvery colour and dramatic contrasts of light and dark, and by the powerful realism and vitality of the individual saints. Here he absorbed Borzone's sfumato technique and skill as a portrait painter, while the crisp contours of the drapery suggest Ansaldo. Assereto's work from c. 1626-36 sparkles with rich colour and detail, as in the strikingly naturalistic and intense Ecstasy of St Francis (1636, Genoa, Cassa di Risparmio). The work of the Lombard Mannerist painters </strong><a onclick="return OpenOther('/bio/c/crespi/giovanni/biograph.html')" href="http://www.wga.hu/bio/c/crespi/giovanni/biograph.html"><strong>Cerano,</strong></a><strong> </strong><a onclick="return OpenOther('/bio/m/morazzon/biograph.html')" href="http://www.wga.hu/bio/m/morazzon/biograph.html"><strong>Morazzone</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/p/procacci/giulio/biograph.html')" href="http://www.wga.hu/bio/p/procacci/giulio/biograph.html"><strong>Giulio Cesare Procaccini</strong></a><strong> that had influenced Strozzi and Ansaldo before 1620 also had an effect on Assereto's early work. This is apparent in the elongated figures and high-keyed colours of his two octagonal vault frescoes, David and Abimelech and SS John and Peter Healing the Lame Man, in SS Annunziata del Vastato, Genoa. The frescoes were dated c. 1630. Sharp-edged draperies, meticulous ornamental detail and jewel-like colours ranging from lime to pink and orange characterize Assereto's vivid narrative painting Alexander and Diogenes (c. 1630; Berlin, Staatliche Museen) and his altarpiece SS Cosmas and Damian Curing the Sick (Genoa, SS Cosma e Damiano), in which some of the figures resemble those by Orazio de' Ferrari, who may have worked with Assereto in Ansaldo's studio. </strong></div><strong><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://wwar.com/masters/a/assereto-gioacchino.html">Gioacchino Assereto.</a></div><div><a class="l" onmousedown="return clk('http://www.fineart-china.com/china/oil-painting-artist-ASSERETO,%20Gioachino.html','','','res','3','')" href="http://www.fineart-china.com/china/oil-painting-artist-ASSERETO,%20Gioachino.html">ASSERETO, Gioachino .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://www.angel-art-house.com/oil_paintings.aspx?SortID=1&ID=270">Assereto, Gioachino .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.angel-art-house.com/oil_paintings_artists/a/Assereto_Gioachino/Assereto_Gioachino.htm">Assereto, Gioachino.</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.2artgallery.com/gallery/assereto-gioachino-c-41_111_170.html">Assereto, Gioachino.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.staroilpainting.com/b_51_N.htm"> Assereto, Gioachino .</a></div><div><a class="l" onmousedown="return clk('http://www.steveartgallery.se/oil%20painting%20artist/ASSERETO,%20Gioachino.html','','','res','8','')" href="http://www.steveartgallery.se/oil%20painting%20artist/ASSERETO,%20Gioachino.html">ASSERETO, Gioachino's.</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.artcyclopedia.com/artists/assereto_gioacchino.html">Gioacchino Assereto .</a></div><div><a class="l" onmousedown="return clk('http://www.intofineart.com/usa/oil-painting-reproduction-ASSERETO,%20Gioachino--Moses%20Drawing%20Water%20from%20the%20Rock%20f.html','','','res','12','')" href="http://www.intofineart.com/usa/oil-painting-reproduction-ASSERETO,%20Gioachino--Moses%20Drawing%20Water%20from%20the%20Rock%20f.html">ASSERETO, Gioachino</a> .<br /><a class="l" onmousedown="return clk(this.href,'','','res','13','')" href="http://www.wga.hu/html/a/assereto/moses.html"> ASSERETO, Gioachino</a> .</div><div><a class="l" onmousedown="return clk(this.href,'','','res','14','')" href="http://www.2artgallery.com/gallery/moses-drawing-water-from-the-rock-by-assereto-gioachino-p-4460.html"> Assereto, Gioachino.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','15','')" href="http://bestpriceart.com/painting/?pid=166830"> Assereto Gioachino.</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','16','')" href="http://www.xiamenoilpainting.com/xiamen_oil_painting/image/04861-ASSERETO,_Gioachino-Moses_Drawing_Water_from_the_Rock_f.html">ASSERETO, Gioachino .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','17','')" href="http://www.steveartgallery.se/picture/image-04862.htm">ASSERETO, Gioachino .</a></div><div><a class="l" onmousedown="return clk('http://www.chinaoilpainting.com/china%20oil%20painting/painting-ASSERETO,%20Gioachino--Tobias%20Healing%20the%20Blindness%20of%20His%20Father%20ff.html','','','res','18','')" href="http://www.chinaoilpainting.com/china%20oil%20painting/painting-ASSERETO,%20Gioachino--Tobias%20Healing%20the%20Blindness%20of%20His%20Father%20ff.html"> ASSERETO, Gioachino.</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','19','')" href="http://www.oil-painting-frame.com/artist/artist-0000985.html">ASSERETO, Gioachino.</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','20','')" href="http://www.chinafineart.com/htmlopus/painting-04862.html">ASSERETO, Gioachino </a></div></strong><div></div></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-74396872964851264712008-09-15T15:25:00.000-07:002008-09-15T15:34:45.433-07:00:: Araldi Alessandro...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgawsAFJuqj-4Y5isybREA2RIZb09gNdaLds4gdGcFXaZ2GuqiaEbOcxjy5JjD-0H3BND755uA71M6_pRzn6RCJa9L5gwmqJ2BDa_2AZeY4M6grXPCcMvPi_Ng7Bcv__-Ppkhg4baLw1Go/s1600-h/pallavic.jpg"><img id="BLOGGER_PHOTO_ID_5246378929887286962" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgawsAFJuqj-4Y5isybREA2RIZb09gNdaLds4gdGcFXaZ2GuqiaEbOcxjy5JjD-0H3BND755uA71M6_pRzn6RCJa9L5gwmqJ2BDa_2AZeY4M6grXPCcMvPi_Ng7Bcv__-Ppkhg4baLw1Go/s400/pallavic.jpg" border="0" /></a><br /><strong>ARALDI, Alessandro<br />(b. ca. 1460, Parma, d. ca. 1530, Parma)<br /></strong><a onclick="return OpenOther('/html/a/araldi/index.html')" href="http://www.wga.hu/html/a/araldi/index.html"></a><br /><strong>Biography<br />Alessandro Araldi is an Italian painter of Parma about whom little is known. He was an assistant to Cristoforo Caselli, and in the Mazzola workshop. He was influenced by </strong><a onclick="return OpenOther('/bio/f/francia/biograph.html')" href="http://www.wga.hu/bio/f/francia/biograph.html"><strong>Francia</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/c/costa/biograph.html')" href="http://www.wga.hu/bio/c/costa/biograph.html"><strong>Costa.</strong></a><strong> He borrowed from the moderate Bolognese Classicism. </strong><br /><strong><br /><br /><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.russianpaintings.net/artist_museum.vphp?author=338"> Araldi Alessandro</a> .<br /><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.best-art-online.com/araldi-alessandro-c-1_2_149.html"> Araldi .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://wwar.com/masters/a/araldi-alessandro.html">Alessandro Araldi .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.virtualuffizi.com/biography/Alessandro-Araldi.htm">Alessandro Araldi.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.artcyclopedia.com/artists/araldi_alessandro.html">Alessandro Araldi .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://posters.seindal.dk/p1593159_Portrait_of_Barbara_Pallavicino.html"> Araldi Alessandro .</a><br /><br /><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://en.wikipedia.org/wiki/Alessandro_Araldi">Alessandro Araldi.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.allposters.com/-st/Araldi-Alessandro-Posters_c73910_.htm">Araldi Alessandro.</a><br /></strong>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-81647684616146529882008-09-08T16:13:00.000-07:002008-09-08T16:19:40.160-07:00:: Salzillo, Francisco...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ01aqh6mPcak1DZods-yuU0uKZ2BNjNX4pMkUzOP6aDUuKnc2AkhqyHmN0dKN7LBXwPwIXCYgHVkk0vMIexYdy1ufvHUnuNzIUT2aY8bipickDJbU_kqikcxX_cBRyUOpSanOsM529pM/s1600-h/dolorosa.jpg"><img id="BLOGGER_PHOTO_ID_5243792821084923746" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ01aqh6mPcak1DZods-yuU0uKZ2BNjNX4pMkUzOP6aDUuKnc2AkhqyHmN0dKN7LBXwPwIXCYgHVkk0vMIexYdy1ufvHUnuNzIUT2aY8bipickDJbU_kqikcxX_cBRyUOpSanOsM529pM/s400/dolorosa.jpg" border="0" /></a><br /><div><br /><strong>SALZILLO, Francisco<br />(b. 1707, Murcia, d. 1783, Murcia)<br /></strong><a onclick="return OpenOther('/html/s/salzillo/index.html')" href="http://www.wga.hu/html/s/salzillo/index.html"></a><br /><strong>Biography<br />Salzillo (also spelled Zarcillo, Salsillo, or Salcillo), sculptor, a prolific creator of figures for the Holy Week procession. He is considered by some authorities to be the greatest sculptor in 18th-century Spain and by others as merely an excellent folk artist.<br />Growing up in provincial Murcia, he received his training from his father, a Neapolitan sculptor who had a studio that produced religious statues. He entered a Dominican monastery as a youth, but on the death of his father in 1727 he left to take charge of the family studio. Remaining in Murcia all his life, he produced an enormous number of polychrome religious figures with the assistance of his brothers and sister.<br />In Salzillo's work the sacred persons are highly humanized, appealing to the popular audience that demanded pathos and sentimental realism. Much of his best work is in the Salzillo Museum in Murcia. </strong></div><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://en.wikipedia.org/wiki/Francisco_Salzillo"><strong>Francisco Salzillo .</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://pt.wikipedia.org/wiki/Francisco_Salzillo"><strong>Francisco Salzillo.</strong></a></div><div><strong>.</strong><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.cartage.org.lb/en/themes/Biographies/MainBiographies/s/salzillo/salzillo.htm"><strong>Salzillo, Francisco</strong></a><strong> .</strong></div><div><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.britannica.com/EBchecked/topic/520170/Francisco-Salzillo"><strong>Francisco Salzillo.</strong></a></div><div><a class="l" onmousedown="return clk('http://www.fineart-china.com/china/oil-painting-artist-SALZILLO,%20Francisco.html','','','res','9','')" href="http://www.fineart-china.com/china/oil-painting-artist-SALZILLO,%20Francisco.html"><strong>SALZILLO, Francisco .</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://commons.wikimedia.org/wiki/Category:Francisco_Salzillo"><strong>Francisco Salzillo .</strong></a></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-18715424543521211852008-09-08T16:05:00.001-07:002008-09-08T16:12:39.090-07:00:: Salviati, Giuseppe...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhctAcm2cehtuVhzC7YZ-hLvpkDgq_AQWgWOYGfUj-VW7nAjtmI2BBwaiUi9HgZoa_uVT48o8Zdx5xj7eEYK-oy5GQ2zvtbqAPLWsreR0GZkr5DrI572k1fAJb8AW7N1GpTkrlyV2Kyino/s1600-h/presenta.jpg"><img id="BLOGGER_PHOTO_ID_5243790815292123266" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhctAcm2cehtuVhzC7YZ-hLvpkDgq_AQWgWOYGfUj-VW7nAjtmI2BBwaiUi9HgZoa_uVT48o8Zdx5xj7eEYK-oy5GQ2zvtbqAPLWsreR0GZkr5DrI572k1fAJb8AW7N1GpTkrlyV2Kyino/s400/presenta.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYNQyFhVJC1y4lyMlAVH0vTO4uSDRF2Qv0uuCIKM4Js6T0mE_X6ws4dVHuG_XyI1Q8SJnDMNp5-MSEstleCBjSgsdYPevpUvg-4WNMhaKgHbiKFcrYqeuvnvQOzot_Ttl0J0c0Bxarl4M/s1600-h/pallasat.jpg"><img id="BLOGGER_PHOTO_ID_5243790728749882978" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYNQyFhVJC1y4lyMlAVH0vTO4uSDRF2Qv0uuCIKM4Js6T0mE_X6ws4dVHuG_XyI1Q8SJnDMNp5-MSEstleCBjSgsdYPevpUvg-4WNMhaKgHbiKFcrYqeuvnvQOzot_Ttl0J0c0Bxarl4M/s400/pallasat.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbDSAGFcN9e4nH0O_xDo23gL74yfbkOvnSkRu3NhajWtWjYi7Q1cKRzzWqtXLpu4IYfrpQJ8Z4La_m3GGQl-AYnRxt44HVpq288uaFDi06uR8aRIu4nai8cOdd4hsF7OZAdOl_Ii-WIxY/s1600-h/lazarus.jpg"><img id="BLOGGER_PHOTO_ID_5243790632366032434" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbDSAGFcN9e4nH0O_xDo23gL74yfbkOvnSkRu3NhajWtWjYi7Q1cKRzzWqtXLpu4IYfrpQJ8Z4La_m3GGQl-AYnRxt44HVpq288uaFDi06uR8aRIu4nai8cOdd4hsF7OZAdOl_Ii-WIxY/s400/lazarus.jpg" border="0" /></a><br /><br /><br /><strong>SALVIATI, Giuseppe<br />(b. ca. 1520, Castelnuovo di Garfagnana, d. ca. 1575, Venezia)<br /></strong><a onclick="return OpenOther('/html/s/salviatx/index.html')" href="http://www.wga.hu/html/s/salviatx/index.html"></a><br /><strong>Biography<br />Italian painter (originally Giuseppe Porta). He was apprenticed to </strong><a onclick="return OpenOther('/bio/s/salviati/biograph.html')" href="http://www.wga.hu/bio/s/salviati/biograph.html"><strong>Francesco Salviati</strong></a><strong> (whose surname he took) in Rome from 1535 and apparently assisted him in the decoration of a number of façades there. The gravitas and sculptural quality of the Roman figural style are reflected in Giuseppe's later work. In 1539, with Francesco, he left Rome, stopping in Florence and Bologna, where he met Giorgio </strong><a onclick="return OpenOther('/bio/v/vasari/biograph.html')" href="http://www.wga.hu/bio/v/vasari/biograph.html"><strong>Vasari,</strong></a><strong> and arriving in Venice by 11 July. Giuseppe's earliest known independent works are illustrations for Le sorti, a book on fortune-telling published by Francesco Marcolini (Venice, 1540). The frontispiece, traditionally attributed to him, is copied from an engraving by Marco Dente.<br />He decided to settle in Venice, and spent most of his successful career in Venice, decorating villas and palazzos, although most of his frescoes have since been lost. He contributed to the </strong><a onclick="return OpenOther('/html/s/salviatx/pallasat.html')" href="http://www.wga.hu/html/s/salviatx/pallasat.html"><strong>decoration in the Biblioteca Marciana,</strong></a><strong> and executed a number of altarpieces that reveal the growing influence of </strong><a onclick="return OpenOther('/bio/t/tiziano/biograph.html')" href="http://www.wga.hu/bio/t/tiziano/biograph.html"><strong>Titian</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/v/veronese/biograph.html')" href="http://www.wga.hu/bio/v/veronese/biograph.html"><strong>Veronese</strong></a><strong> on his originally </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#mannerism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/s/salviatx/biograph.html"><strong>mannerist</strong></a><strong> idiom.<br />Salviati left in 1541, but Porta stayed on, becoming famous for his decorations on palazzo façades, none of which survive. He also decorated numerous religious buildings, painting vast ceilings of illusionistic figures. For his altarpieces, Porta adopted the traditional Venetian oil technique of modeling figures using multiple layers of paint.<br />In 1565 Porta returned to Rome to complete the frescoes for the Sala Regia in the Vatican, left unfinished at Salviati's death. The following year he was elected to Florence's Accademia del Disegno and completed his most important commission: a ceiling fresco in Venice's ducal palace, destroyed soon afterward. In later years, he devoted time to other interests, such as his mathematical accomplishments. He published mathematically-oriented treatises on decorative column design. </strong></div><strong><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.getty.edu/art/gettyguide/artMakerDetails?maker=3303">Giuseppe Salviati .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.unilibro.it/find_buy/findresult/libreria/prodotto-libro/autore-bevacqua_nino_mondoni_maurizio_salviati_giuseppe_.htm"> maurizio salviati giuseppe.</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.artnet.com/artist/554961/giuseppe-salviati-porta.html">Giuseppe (Salviati) .</a><br /><a class="l" onmousedown="return clk('http://links.jstor.org/sici?sici=0034-4338(200324)56%3A4%3C1200%3AFSELBM%3E2.0.CO%3B2-W','','','res','4','')" href="http://links.jstor.org/sici?sici=0034-4338(200324)56%3A4%3C1200%3AFSELBM%3E2.0.CO%3B2-W">Francesco Salviati .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://web.artprice.com/artistdetails.aspx?idarti=MTAwMjU1MjIyOTE5MTM=">Antonio SALVIATI .</a><br />.<a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.questia.com/library/encyclopedia/salviati-francesco-de-rossi.jsp">Salviati Francesco De Rossi.</a></div></strong><div></div></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-43418058407199797802008-09-08T15:46:00.001-07:002008-09-08T15:57:26.772-07:00:: Salviati, Cecchino del...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggTJmndWAQ1vWYF51S0wY-h8dZJgW-axkSBiV-Mre-gQPBOCv7JQAV2L_vPtpyFwGV_CGd-ymagPzpTx7jO1S6KF9MCeZEQi3vRJQKsSunpIusfh9bFUuQGkwO4r3MzbbVPNDB_PG4eiU/s1600-h/charity1.jpg"><img id="BLOGGER_PHOTO_ID_5243786711162220546" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggTJmndWAQ1vWYF51S0wY-h8dZJgW-axkSBiV-Mre-gQPBOCv7JQAV2L_vPtpyFwGV_CGd-ymagPzpTx7jO1S6KF9MCeZEQi3vRJQKsSunpIusfh9bFUuQGkwO4r3MzbbVPNDB_PG4eiU/s400/charity1.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-Drfl7I1PzFHKNcoBXIh70mBBglWpoIuiP0mnK9a_NCFG4MsPtYI7EOI4KbYaxq83YAJwS04lY2fLFMMkXUZlBxxrf_ah3FTWdPuNVJDI_C4b2YNw4SOlGDxby8_ZAjoE_H0LSm3FDA/s1600-h/charity.jpg"><img id="BLOGGER_PHOTO_ID_5243786614299126114" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-Drfl7I1PzFHKNcoBXIh70mBBglWpoIuiP0mnK9a_NCFG4MsPtYI7EOI4KbYaxq83YAJwS04lY2fLFMMkXUZlBxxrf_ah3FTWdPuNVJDI_C4b2YNw4SOlGDxby8_ZAjoE_H0LSm3FDA/s400/charity.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8sV5Ws-xMEzhXtib6MgveP8JhTmlzgfAYaXGPCKkZiiDXTx14iAx-icbU6-ksu5O-q12d65idQbeJhb-C696J2esFNagv_MY9c6rUqHrbRlGl8_fRMfTwa-Z9av8p3Ehb1EfWgHuumsk/s1600-h/coronati.jpg"><img id="BLOGGER_PHOTO_ID_5243786529752864594" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8sV5Ws-xMEzhXtib6MgveP8JhTmlzgfAYaXGPCKkZiiDXTx14iAx-icbU6-ksu5O-q12d65idQbeJhb-C696J2esFNagv_MY9c6rUqHrbRlGl8_fRMfTwa-Z9av8p3Ehb1EfWgHuumsk/s400/coronati.jpg" border="0" /></a><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuCtGJjwuRrquKQCc4BKxSTww57_8G-89RxmtV56Og9ZeZUtY7Lwq3IsyCcu3DPxD4k9iq2NRGj9p1C-ce368syWiv7CsX1oQrtMEIw8bK7dhgzdYmqZO3N3EA1p85WTYPLzKeVu_3fx0/s1600-h/christ.jpg"><img id="BLOGGER_PHOTO_ID_5243786445497296786" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuCtGJjwuRrquKQCc4BKxSTww57_8G-89RxmtV56Og9ZeZUtY7Lwq3IsyCcu3DPxD4k9iq2NRGj9p1C-ce368syWiv7CsX1oQrtMEIw8bK7dhgzdYmqZO3N3EA1p85WTYPLzKeVu_3fx0/s400/christ.jpg" border="0" /></a><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOB1j28dUMAZ-cPDvrSJbkHxF2cQaaNI9Hp6vkMuVqWt8u3_tvWcQYn3IV0MSqYLfkk8TJRbod-WbAWZaHag4X6X8GiUrrBpo5U-WGue0S2C-Dv9oqu4q24WTP4a8HdqDhDTZIxN8V69c/s1600-h/sacchet2.jpg"><img id="BLOGGER_PHOTO_ID_5243786348927194498" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOB1j28dUMAZ-cPDvrSJbkHxF2cQaaNI9Hp6vkMuVqWt8u3_tvWcQYn3IV0MSqYLfkk8TJRbod-WbAWZaHag4X6X8GiUrrBpo5U-WGue0S2C-Dv9oqu4q24WTP4a8HdqDhDTZIxN8V69c/s400/sacchet2.jpg" border="0" /></a><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdO_UmyPlpgq_eIycrvUyGT-NRxokAMUC1l6rH9hxLEWTeoP52CzWv7k43eUI71N_aE9OsjVxwTcbLSHBAcbwMDONQaE6Aa9a3pkEthsVjbTuU4NfJdJhmkq_nVGpUvkAaZU_pOo1J1PA/s1600-h/lamentat.jpg"><img id="BLOGGER_PHOTO_ID_5243786257580067330" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdO_UmyPlpgq_eIycrvUyGT-NRxokAMUC1l6rH9hxLEWTeoP52CzWv7k43eUI71N_aE9OsjVxwTcbLSHBAcbwMDONQaE6Aa9a3pkEthsVjbTuU4NfJdJhmkq_nVGpUvkAaZU_pOo1J1PA/s400/lamentat.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9LU-a0ScWrKka9540w2uoK8lzMe9yVBBCOcMz-y2EQNZFlyXnVFktaKfNrJBodMZXjQtXLWIhAr0pQbtrP1FpzDSl1TPGI4AFIRPYjoQeICqjwd_yvAAz3swZV9gm3s8F_dro7kYqvdg/s1600-h/lazarus.jpg"><img id="BLOGGER_PHOTO_ID_5243786164386869186" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9LU-a0ScWrKka9540w2uoK8lzMe9yVBBCOcMz-y2EQNZFlyXnVFktaKfNrJBodMZXjQtXLWIhAr0pQbtrP1FpzDSl1TPGI4AFIRPYjoQeICqjwd_yvAAz3swZV9gm3s8F_dro7kYqvdg/s400/lazarus.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4Xy-uc_Uz5dA8rOlIclvtAYZvACCo5xSEvMrEcbT7oTtJ5Mn2wObRxgd80sSBuZtDEOkphiEWfbPNDib0i68a4W7cEi6OR4fRlb7FeX5Ufx_2Sy1qMV1aUd1YVJL_EFH5loZV6XpRAw/s1600-h/sacchet1.jpg"><img id="BLOGGER_PHOTO_ID_5243786057466678210" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4Xy-uc_Uz5dA8rOlIclvtAYZvACCo5xSEvMrEcbT7oTtJ5Mn2wObRxgd80sSBuZtDEOkphiEWfbPNDib0i68a4W7cEi6OR4fRlb7FeX5Ufx_2Sy1qMV1aUd1YVJL_EFH5loZV6XpRAw/s400/sacchet1.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7uIRRstp-w-UGlY33xgDsHl2YdSh_A1SUKNRFUdo5UpN5yo5PZPSZ52pIHXDuCfk8LAE2lnUl2XNjRc5LaN-EjstjwL6KRabKMcUQOPDC5jur3PbMc8Hq6xCN6cb3EC9GiRaqGtEtbkU/s1600-h/visitati.jpg"><img id="BLOGGER_PHOTO_ID_5243785938506373762" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7uIRRstp-w-UGlY33xgDsHl2YdSh_A1SUKNRFUdo5UpN5yo5PZPSZ52pIHXDuCfk8LAE2lnUl2XNjRc5LaN-EjstjwL6KRabKMcUQOPDC5jur3PbMc8Hq6xCN6cb3EC9GiRaqGtEtbkU/s400/visitati.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj95RvOEGanyE21UyJuWbmDHznSvXS7NuIkj_OWnc1c-0iDq7pGHD5WhiCQGwgIWp6zikprJCMfjyvp9HdHk6sdHnxBpBDGn47qupiZZ6g1iJBMtQOIorRw0ifUVmomqonFA2MEhTRLgCY/s1600-h/camillu2.jpg"><img id="BLOGGER_PHOTO_ID_5243785842939704258" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj95RvOEGanyE21UyJuWbmDHznSvXS7NuIkj_OWnc1c-0iDq7pGHD5WhiCQGwgIWp6zikprJCMfjyvp9HdHk6sdHnxBpBDGn47qupiZZ6g1iJBMtQOIorRw0ifUVmomqonFA2MEhTRLgCY/s400/camillu2.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgux6ZDOmkl08pFehocfpyZvnetR76Nbho1DWYdFb_zYXkaGh2BtRtql_Aus4XEAq8n4u-_KRYvqCo00855WqgqdOKAHwP43hsxMSuZwYOgPOVtm5mdJ9MqGIMoJl-nUfuHB2qXpPt6qpo/s1600-h/camillu1.jpg"><img id="BLOGGER_PHOTO_ID_5243785747950721538" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgux6ZDOmkl08pFehocfpyZvnetR76Nbho1DWYdFb_zYXkaGh2BtRtql_Aus4XEAq8n4u-_KRYvqCo00855WqgqdOKAHwP43hsxMSuZwYOgPOVtm5mdJ9MqGIMoJl-nUfuHB2qXpPt6qpo/s400/camillu1.jpg" border="0" /></a><br /><br /><br /><strong>SALVIATI, Cecchino del<br />(b. 1510, Firenze, d. 1563, Roma)<br /></strong><a onclick="return OpenOther('/html/s/salviati/index.html')" href="http://www.wga.hu/html/s/salviati/index.html"></a><br /><strong>Biography<br />Florentine </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#mannerism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/s/salviati/biograph.html"><strong>Mannerist</strong></a><strong> painter, a pupil of </strong><a onclick="return OpenOther('/bio/a/andrea/sarto/biograph.html')" href="http://www.wga.hu/bio/a/andrea/sarto/biograph.html"><strong>Andrea del Sarto.</strong></a><strong> Originally Francesco de' Rossi, he adopted his name from his patron Cardinal Giovanni Salviati, with whom he went to Rome c. 1530 and for whom he painted the work that established his reputation there - the fresco of the </strong><a onclick="return OpenOther('/html/s/salviati/visitati.html')" href="http://www.wga.hu/html/s/salviati/visitati.html"><strong>Visitation</strong></a><strong> (1538) in S. Giovanni Decollato. In 1539 he travelled to Venice, and from the 1540s led a restless life, working mainly in Florence and Rome, but also visiting Fontainebleau in 1556-57. He was one of the leading fresco decorators of his day, specializing in learned and elaborate multi-figure compositions, typically Mannerist in their artificiality and abstruseness, and similar in style to those of his friend </strong><a onclick="return OpenOther('/bio/v/vasari/biograph.html')" href="http://www.wga.hu/bio/v/vasari/biograph.html"><strong>Vasari</strong></a><strong> (although Salviati was an artist of higher caliber). His finest works are perhaps the frescoes on the story of the ancient tyrant Furius Camillus (1543-45) in the Sala dell' Udienza of the Palazzo Vecchio, Florence, intended as an allegory of Cosimo de' Medici's reign.<br />Salviati also made designs for tapestries and was noted for his portraits, which were Florentine in their direct characterization but north Italian in their richness in colour. </strong></div><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.wga.hu/html/s/salviati/index.html"><strong>SALVIATI, Cecchino del</strong></a><strong>.</strong></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://en.wikipedia.org/wiki/Francesco_de"><strong>Francesco de' Rossi (Il Salviati).</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.fordham.edu/halsall/basis/vasari/vasari24.htm"><strong>Salviati Giorgio .</strong></a></div><div><strong>Mais em</strong></div><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.oceansbridge.com/oil-paintings/product/8019/thevisitation1538"><strong>. Del Salviati Oil Painting</strong></a><strong> .</strong></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.angel-art-house.com/oil_paintings.aspx?SortID=1&ID=2107"><strong>Salviati, </strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.1st-art-gallery.com/search?q=salviati"><strong>salviati.</strong></a></div><div><strong>Mais em</strong></div><div><strong></strong> </div><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.xiamenoilpainting.com/htmlfind/artist-0001674.html"><strong>SALVIATI, .</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.painting-in-oil.com/artworks-Salviati-Cecchino-del.html"><strong>del Salviati [Italian Painter, 1510-1563] .</strong></a></div><div><a href="http://www.google.com.br/search?hl=pt-BR&rlz=1G1GGLQ_PT-BRBR291&q=related:www.painting-in-oil.com/artworks-Salviati-Cecchino-del.html"><strong>.</strong></a></div></div></div></div></div></div></div></div></div></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-28757684528906064352008-09-08T15:32:00.000-07:002008-09-08T15:38:39.773-07:00:: Salucci, Alessandro...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs557a3eMqyGtSBIeap0KK3HmKz8Z7cKuILq52c6hrZrbdugjurjCrKCwEZzN0j0-WdqaZ0CzVtU2r7R01hEgc5PQfiW6pstiP5nEwBEyHZpZfUa7AMytMSfrATEZkZgYimmA_n4wipAI/s1600-h/harbour.jpg"><img id="BLOGGER_PHOTO_ID_5243782119913417170" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs557a3eMqyGtSBIeap0KK3HmKz8Z7cKuILq52c6hrZrbdugjurjCrKCwEZzN0j0-WdqaZ0CzVtU2r7R01hEgc5PQfiW6pstiP5nEwBEyHZpZfUa7AMytMSfrATEZkZgYimmA_n4wipAI/s400/harbour.jpg" border="0" /></a><br /><strong>SALUCCI, Alessandro<br />(b. 1590, Firenze, d. 1655/60, Roma)<br /></strong><a onclick="return OpenOther('/html/s/salucci/index.html')" href="http://www.wga.hu/html/s/salucci/index.html"></a><br /><strong>Biography<br />Italian painter, specialized in imaginary architectural perspectives and harbour views, in which the figures were executed by other artists, most notably Jan </strong><a onclick="return OpenOther('/bio/m/miel/biograph.html')" href="http://www.wga.hu/bio/m/miel/biograph.html"><strong>Miel</strong></a><strong> and Michelangelo </strong><a onclick="return OpenOther('/bio/c/cerquozz/biograph.html')" href="http://www.wga.hu/bio/c/cerquozz/biograph.html"><strong>Cerquozzi.</strong></a><strong> His pictures were praised by contemporary and near contemporary writers, and during the 17th century were popular with private collectors in both Florence and Rome. However, many of the paintings mentioned in contemporary sources remain untraced.<br />He is first documented in Rome in 1628, when, with Andrea </strong><a onclick="return OpenOther('/bio/s/sacchi/biograph.html')" href="http://www.wga.hu/bio/s/sacchi/biograph.html"><strong>Sacchi</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/p/pietro/cortona/biograph.html')" href="http://www.wga.hu/bio/p/pietro/cortona/biograph.html"><strong>Pietro da Cortona,</strong></a><strong> he worked on the fresco decorations of the Villa Sacchetti (now Chigi), Castelfusano (near Ostia), to which he contributed personifications of the River Nile and the River Rhône. He became a member of the Accademia di San Luca in Rome in 1634, and after 1635 he was engaged on frescoes depicting sacred subjects in S Maria in Vallicella, Rome. From the mid-1630s onward Salucci collaborated with Miel on the </strong><a onclick="return OpenOther('/html/s/salucci/harbour.html')" href="http://www.wga.hu/html/s/salucci/harbour.html"><strong>imaginary architectural subjects</strong></a><strong> for which he is best known. The two artists also collaborated between 1640 and 1645 on a series of four important Imaginary Architectural Perspectives. His most typical paintings date from c. 1650-60. </strong><br /><strong><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.angel-art-house.com/oil_paintings.aspx?SortID=1&ID=2106">Salucci, Alessandro .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.angel-art-house.com/oil_paintings_artists/s/Salucci_Alessandro/Salucci_Alessandro.htm">Salucci, Alessandro.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.xiamenoilpainting.com/xiamen_oil_painting/artist/SALUCCI,_Alessandro.html">SALUCCI, Alessandro .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://www.tamsquare.com/artist/SALUCCI-Alessandro/">Salucci Alessandro .</a><br /><br />E mais em<br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.budapestauction.com/en/artdat/festo_festo.php?id=19842&o=1&x=s&name=_Salucci,_Alessandro_">Salucci, Alessandro .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://web.artprice.com/artistdetails.aspx?idArti=ODk5OTAwNTE0NjYyNzg=&src=5&l=en">Alessandro SALUCCI .</a><br /><a class="l" onmousedown="return clk('http://www.fineart-china.com/china/oil-painting-reproduction-SALUCCI,%20Alessandro--Harbour%20View%20with%20Triumphal%20Arch%20g.html','','','res','9','')" href="http://www.fineart-china.com/china/oil-painting-reproduction-SALUCCI,%20Alessandro--Harbour%20View%20with%20Triumphal%20Arch%20g.html"> SALUCCI, Alessandro .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.artistsearch.com/artists/SALUCCI_ALESSANDRO.htm">ALESSANDRO SALUCCI </a><br /></strong>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-38903231531386828442008-09-08T15:22:00.000-07:002008-09-08T15:30:49.303-07:00:: Sallaert, Anthonis...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0zhW0dITYpWIYrH5gEQcNlkqj6GTwKNmO6BcemCZz57lAsdCIh73PrvECkWdU3Cu4Yigsq4ZrVvc-oRRvXkWEB9XMTvixGQMZUXpFpkq-fcSpG1noIqWdJjFMBZAd8yoWlxFZwvqGvIs/s1600-h/assumpti.jpg"><img id="BLOGGER_PHOTO_ID_5243779691023741538" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0zhW0dITYpWIYrH5gEQcNlkqj6GTwKNmO6BcemCZz57lAsdCIh73PrvECkWdU3Cu4Yigsq4ZrVvc-oRRvXkWEB9XMTvixGQMZUXpFpkq-fcSpG1noIqWdJjFMBZAd8yoWlxFZwvqGvIs/s400/assumpti.jpg" border="0" /></a><br /><div><br />SALLAERT, Anthonis<br />(b. 1580/90, Bruxelles, d. 1650, Bruxelles)<br /><a onclick="return OpenOther('/html/s/sallaert/index.html')" href="http://www.wga.hu/html/s/sallaert/index.html"></a><br />Biography<br />Anthonis Sallaert (Sallaerts or Sallarts), Flemish painter, draughtsman and printmaker. He became a master painter in Brussels in 1613 and executed numerous commissions, mostly of a religious nature, for the Archduke Albert's court, the new Jesuit church and the town hall. He also made paintings for churches in the villages around Brussels, notably the cycle of 12 paintings depicting the History of the Church at Alsemberg for Onze-Lieve-Vrouwkerk at Alsemberg (1647-49; in situ). Secular subjects, including mythological themes, occur in his tapestry designs, such as those for the Story of Theseus (c. 1620-35), woven in the Brussels workshop of Jan Raes the Younger (fl 1628-37). </div><div><br /><strong><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html">Anthonis Sallaert .</a></strong></div><div><strong><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html">Anthonis Sallaert .</a></strong></div><div><strong><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.artnet.com/artist/628537/anthonis-sallaert.html">Anthonis Sallaert .</a></strong></div><div><strong><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html">Anthonis Sallaert .</a></strong></div><strong><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html"><div><br /></a><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.answers.com/topic/anthonis-sallaert-3">Anthonis Sallaert: .</a><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html"><br />Anthonis Sallaert .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://www.personenencyclopedie.info/S/Sal/AfbSal/SALLAERTAnthonisp1/view">SALLAERT, Anthonis .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html">SALLAERT, Anthonis .</a><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html"><br /></a><a class="l" onmousedown="return clk('http://imagesvr.library.upenn.edu/cgi/i/image/image-idx?type=detail&cc=fisher&entryid=X-n2003020801&viewid=1&sstrt=1&hits=1&q1=aaaSallaert%2C%20Anthonis%2C%201580-1658%2C%20(Flemish)aaa&cat1=All%20Categories&thsz=12&txsz=50&slsz=1&c=fisher','','','res','5','')" href="http://imagesvr.library.upenn.edu/cgi/i/image/image-idx?type=detail&cc=fisher&entryid=X-n2003020801&viewid=1&sstrt=1&hits=1&q1=aaaSallaert%2C%20Anthonis%2C%201580-1658%2C%20(Flemish)aaa&cat1=All%20Categories&thsz=12&txsz=50&slsz=1&c=fisher">Sallaert, Anthonis: .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.1st-art-gallery.com/Anthonis-Sallaert/Anthonis-Sallaert-oil-paintings.html">Anthonis Sallaert .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html">Anthonis Sallaert .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.invaluable.com/artist/sallaert-anthonis-4ykse4nok5">Anthonis Sallaert [1580-1658] .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.absolutearts.com/masters/s/sallaert-anthonis.html">Anthonis Sallaert .</a><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html"><br /></a><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.worldvisitguide.com/contact/A009989.html">Anthonis Sallaert</a><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://wwar.com/masters/s/sallaert-anthonis.html"> .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.clemusart.com/Explore/artist.asp?artistLetter=S&recNo=22">Cleveland Museum of Art - Anthonis Sallaert.</a></strong></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-27473350768005750842008-09-08T15:16:00.000-07:002008-09-08T15:20:08.502-07:00:: Salimbeni, Ventura...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghy4D8Kj_tzl3rRxftsFbJsctMNbBwvm8ac2Bg4-jKDpP0GgrALV4Nt6iisTNk862SlGfZ-tNsq4qsekV1d2tgYilF_dZQDHKVXo0FP_N9glM3Ixq7JXY5p_KiLRlCgWLgAWxlzgkhaD4/s1600-h/lll.jpg"><img id="BLOGGER_PHOTO_ID_5243777995288891282" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghy4D8Kj_tzl3rRxftsFbJsctMNbBwvm8ac2Bg4-jKDpP0GgrALV4Nt6iisTNk862SlGfZ-tNsq4qsekV1d2tgYilF_dZQDHKVXo0FP_N9glM3Ixq7JXY5p_KiLRlCgWLgAWxlzgkhaD4/s400/lll.jpg" border="0" /></a><br /><strong>SALIMBENI, Ventura<br />(b. 1567, Siena, d. 1613, Siena)<br /></strong><a onclick="return OpenOther('/html/s/salimben/index.html')" href="http://www.wga.hu/html/s/salimben/index.html"></a><br /><strong>Biography<br />Italian painter, draughstman and engraver. The son of Arcangelo Salimbeni (fl 1567–80/89) and Battista Focari, widow of Eugenio Vanni, he was first taught painting in his native Siena by his father, as was his half-brother Francesco </strong><a onclick="return OpenOther('/bio/v/vanni_f/biograph.html')" href="http://www.wga.hu/bio/v/vanni_f/biograph.html"><strong>Vanni,</strong></a><strong> with whom he was often confused. Ventura possibly spent some time in northern Italy before going to Rome, where he worked from 1588, collaborating on the fresco decoration of the Biblioteca Apostolica Vaticana (the Vatican Library) during the reign of Pope Sixtus V (reg 1585–90). Salimbeni's painting during 1590–91, when he worked in Il Gesu and S Maria Maggiore, Rome, reflects the influence of the </strong><a onclick="return OpenOther('/bio/c/cesari/biograph.html')" href="http://www.wga.hu/bio/c/cesari/biograph.html"><strong>Cavaliere d'Arpino,</strong></a><strong> Cherubino Alberti and Andrea Lilli. The few engravings that Salimbeni executed were made in Rome. Of these, seven survive, dated between 1589 and 1594.<br />In 1595 he returned to Siena where he became one of the last leaders of the </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#mannerism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/s/salimben/biograph.html"><strong>Mannerist</strong></a><strong> school, and completed painting cycles for Sienese churches such as Santa Trinita and Santo Spirito. He continued to create paintings for churches throughout Italy, including Assisi and Florence. For almost all of his painting cycles he first created detailed prepatory drawings. </strong><br /><strong><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.artcyclopedia.com/artists/salimbeni_ventura.html">Ventura Salimbeni .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.absolutearts.com/masters/s/salimbeni-ventura.html">Ventura Salimbeni.</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://wwar.com/masters/s/salimbeni-ventura.html">Ventura Salimbeni .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://pt.wikipedia.org/wiki/Ventura_Salimbeni">Ventura Salimbeni .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://commons.wikimedia.org/wiki/Image:Ventura_Salimbeni_001.jpg">Ventura Salimbeni .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://en.wikipedia.org/wiki/Ventura_Salimbeni">Ventura Salimbeni .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://207.106.174.52/oil_paintings.aspx?SortID=1&ID=2103">Salimbeni, Ventura .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.angel-art-house.com/oil_paintings_artists/s/Salimbeni_Ventura/The_Annunciation.htm"> Salimbeni, Ventura .</a><br /><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.artnet.com/artist/632632/ventura-salimbeni.html">Ventura Salimbeni.</a><br /></strong>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-79216950849960193972008-09-08T14:47:00.000-07:002008-09-08T15:12:12.387-07:00:: Saliba, Antonio de...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdCZXfD0pZVg6Wb6_VZK2XxrnD54UdfCNye_nUb9gVkq2SqEs_4sx2UPM0z8JTTpazkYgu1D8p2TQK-fGZle-hHCUnTv11FCidqQq1kwJttZ3PnX1DpNrLNBsiQ5GH4Z0STLeXih5vIZ8/s1600-h/annuncia.jpg"><img id="BLOGGER_PHOTO_ID_5243770666768909122" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdCZXfD0pZVg6Wb6_VZK2XxrnD54UdfCNye_nUb9gVkq2SqEs_4sx2UPM0z8JTTpazkYgu1D8p2TQK-fGZle-hHCUnTv11FCidqQq1kwJttZ3PnX1DpNrLNBsiQ5GH4Z0STLeXih5vIZ8/s400/annuncia.jpg" border="0" /></a><br /><strong>SALIBA, Antonio de<br />(b. ca. 1466, Messina, d. ca. 1535, Messina)<br /></strong><a onclick="return OpenOther('/html/s/saliba/index.html')" href="http://www.wga.hu/html/s/saliba/index.html"></a><br /><strong>Biography<br />Italian painter, also called Antonello da Messina, nephew of the more famous </strong><a onclick="return OpenOther('/bio/a/antonell/biograph.html')" href="http://www.wga.hu/bio/a/antonell/biograph.html"><strong>Antonello da Messina.</strong></a><strong> Although Antonio was apprenticed to his cousin Jacobello d'Antonio in January 1480, his painting more closely imitates that of his uncle, Antonello da Messina. This fact, and the similarity of their names, led to the two artists being confused with each other, a situation perhaps intentionally encouraged by de Saliba who used various forms of his uncle's signature on his works. His paintings flaunt their debt to his uncle's style, incorporating elements introduced by </strong><a onclick="return OpenOther('/bio/b/bellini/giovanni/biograph.html')" href="http://www.wga.hu/bio/b/bellini/giovanni/biograph.html"><strong>Giovanni Bellini.</strong></a><strong><br />In 1497 he returned to Messina and continued to produce smaller works, still inspired by Antonello da Messina, albeit in stiffer, more popular forms (Virgin Enthroned, Castel Ursino, Catania, 1497; Polyptych, Cathedral, Taormina, 1503-04). </strong><br /><strong><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.artcyclopedia.com/artists/antonello_de_saliba.html">Antonello de Saliba</a></strong>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-68776408664326841402008-08-30T15:47:00.000-07:002008-08-30T15:56:15.033-07:00:: Elsheimer, Adam...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij2N9_FoZsZKtnL7TAaSCEHTDagM-IuDniAAaSca7Hf0DD7m0kRUh7f09Gzyt_t1OES1LcvD2ni9E6YlkqL_AtlY1qstdR3NjMSif_Dy-qMKk9jyUeBUszTTBi5ZHryw-KthSVBb5pxSs/s1600-h/flight1.jpg"><img id="BLOGGER_PHOTO_ID_5240447437544737282" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij2N9_FoZsZKtnL7TAaSCEHTDagM-IuDniAAaSca7Hf0DD7m0kRUh7f09Gzyt_t1OES1LcvD2ni9E6YlkqL_AtlY1qstdR3NjMSif_Dy-qMKk9jyUeBUszTTBi5ZHryw-KthSVBb5pxSs/s400/flight1.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4v_4n-V8QK83W3iHgecAJCWVfdK6tWgutPLMFMK2drM80-f0ImYTYgBPeTRIovNk1sauVhRGx-kMn6kVM8nKjxbryWkI29PeaClM4hnIqs36iu4K7pPQd1dEbgi-ak2fSquEwTvQKNs0/s1600-h/glorific.jpg"><img id="BLOGGER_PHOTO_ID_5240447323202834146" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4v_4n-V8QK83W3iHgecAJCWVfdK6tWgutPLMFMK2drM80-f0ImYTYgBPeTRIovNk1sauVhRGx-kMn6kVM8nKjxbryWkI29PeaClM4hnIqs36iu4K7pPQd1dEbgi-ak2fSquEwTvQKNs0/s400/glorific.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCsu4Bm3RPvklsCwToKsy6Ll3lb3EZ46GVn9KvtkuBt4JlZA_tX4z-L3RjShpZUnNn9flCl3nDBgUOIchgjGDbDyewkPF7ID8ZxFAvEt3l76dTF1AWUUFNNmmi17TP7tHNmubViOngkW4/s1600-h/flight.jpg"><img id="BLOGGER_PHOTO_ID_5240447024723101714" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCsu4Bm3RPvklsCwToKsy6Ll3lb3EZ46GVn9KvtkuBt4JlZA_tX4z-L3RjShpZUnNn9flCl3nDBgUOIchgjGDbDyewkPF7ID8ZxFAvEt3l76dTF1AWUUFNNmmi17TP7tHNmubViOngkW4/s400/flight.jpg" border="0" /></a><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-NeDcW5NTHx3Gneu8lrS3YXHbZklx60LVK2wqKcW5Fj4gDiIXKwZDb-JMecfBAV0-6_SP5b2Y-8nL8v7UGL85q3I8kmAFAUmScaxTghuFgvHknXg8ePpfWj67V-frBVJVgUiPFX03Cvk/s1600-h/ceres.jpg"><img id="BLOGGER_PHOTO_ID_5240446900476946978" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-NeDcW5NTHx3Gneu8lrS3YXHbZklx60LVK2wqKcW5Fj4gDiIXKwZDb-JMecfBAV0-6_SP5b2Y-8nL8v7UGL85q3I8kmAFAUmScaxTghuFgvHknXg8ePpfWj67V-frBVJVgUiPFX03Cvk/s400/ceres.jpg" border="0" /></a><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpe1P853VNJtapUGXP8xQhqI3SwLKfxMwbND4ugIvnGwCK_BmSdpjaX2bMMCrSH7QxoHYFgtZMKHI-N88B1JItVs4KjFn2M5k1ffkCG55mr4bx9pXQIas83SubwqPukr02Hl4JRXLi7ek/s1600-h/dream.jpg"><img id="BLOGGER_PHOTO_ID_5240446658818420866" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpe1P853VNJtapUGXP8xQhqI3SwLKfxMwbND4ugIvnGwCK_BmSdpjaX2bMMCrSH7QxoHYFgtZMKHI-N88B1JItVs4KjFn2M5k1ffkCG55mr4bx9pXQIas83SubwqPukr02Hl4JRXLi7ek/s400/dream.jpg" border="0" /></a><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtIaB6FJM5P1h14Lrk3dzwkuQZa4D-eydXUpABNFg4QsPnmljMab_AwITKnDILR9CICCfd9_-GwyMJPNzygpQ4R4MGWXMP0qHMwxmx7JvRnuSi1DBLlClg6A5aWwzcgNys-YMo1UuHA4Y/s1600-h/jupiter1.jpg"><strong><img id="BLOGGER_PHOTO_ID_5240446522238541666" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtIaB6FJM5P1h14Lrk3dzwkuQZa4D-eydXUpABNFg4QsPnmljMab_AwITKnDILR9CICCfd9_-GwyMJPNzygpQ4R4MGWXMP0qHMwxmx7JvRnuSi1DBLlClg6A5aWwzcgNys-YMo1UuHA4Y/s400/jupiter1.jpg" border="0" /></strong></a><strong><br />ELSHEIMER, Adam<br />(b. 1578, Frankfurt/Main, d. 1610, Roma)<br /></strong><a onclick="return OpenOther('/html/e/elsheime/index.html')" href="http://www.wga.hu/html/e/elsheime/index.html"></a><br /><strong>Biography<br />German painter, one of the first masters of the idyllic landscape. He was trained in the dry manner of Flemish realism, but he acquired a liberating interest in light, atmosphere, and color when he settled (1598) in Italy. In Venice he worked with his countryman Rottenhammer, then settled in Rome in 1600. His early Mannerist style gave way to a more direct manner in which he showed great sensitivity to effects of light; his nocturnal scenes are particularly original, bringing out the best in his lyrical temperament, and he is credited with being the first artist to represent the constellations of the night sky accurately (in </strong><a onclick="return OpenOther('/html/e/elsheime/egypt-e.html')" href="http://www.wga.hu/html/e/elsheime/egypt-e.html"><strong>The Flight into Egypt).</strong></a><strong> He painted a few pictures in which figures predominate, but generally they are fused into a harmonious unity with their landscape settings. They are invariably on a small scale and on copper (the only exception is a self-portrait in the Uffizi, Florence, of doubtful attribution), but although exquisitely executed they have a grandeur out of all proportion to their size.<br />Elsheimer achieved fame during his lifetime and there are numerous contemporary copies of his works. His paintings were engraved by his pupil and patron, the Dutch amateur artist Count Hendrick Goudt (1573-1648), and Elsheimer himself made a number of etchings. In spite of his popularity he was personally unsuccessful and died in poverty. </strong><a onclick="return OpenOther('/bio/s/sandrart/biograph.html')" href="http://www.wga.hu/bio/s/sandrart/biograph.html"><strong>Sandrart</strong></a><strong> says he suffered from melancholia and was often unable to work; apparently he was imprisoned for debt. </strong><a onclick="return OpenOther('/bio/r/rubens/biograph.html')" href="http://www.wga.hu/bio/r/rubens/biograph.html"><strong>Rubens</strong></a><strong> was a friend of Elsheimer and after his death lamented his "sin of sloth, by which he has deprived the world of the most beautiful things"; he also wrote "I have never seen his equal in the realm of small figures, of landscapes, and of so many other subjects."<br />Although Elsheimer died young and his output was small he played a key role in the development of 17th-century landscape painting, and his influence is apparent in the work of many other 17th-century artists.</strong> </div><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.ibiblio.org/wm/paint/auth/elsheimer/"><strong>WebMuseum: Elsheimer, Adam</strong></a><strong> </strong></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.artcyclopedia.com/artists/elsheimer_adam.html"><strong>Adam Elsheimer .</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://en.wikipedia.org/wiki/Adam_Elsheimer"><strong>Adam Elsheimer .</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://www.wga.hu/html/e/elsheime/index.html"><strong>ELSHEIMER, Adam</strong></a><strong></strong>.</div><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.mavicanet.com/directory/por/18001.html"><strong>Elsheimer, Adam (1588-1610).</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.mavicanet.com/lite/por/18001.html"><strong> Elsheimer, Adam (1588-1610)</strong></a><br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://encyclopedia.farlex.com/Elsheimer,+Adam"><strong>Elsheimer, Adam.</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://wwar.com/masters/e/elsheimer-adam.html"><strong>Adam Elsheimer (1578 - 1610).</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.encyclopedia.com/doc/1E1-Elsheime.html"><strong>Adam Elsheimer .</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.metmuseum.org/toah/hi/hi_elsheim.htm"><strong>Elsheimer, Adam (German, 1578–1610) </strong></a></div></div></div></div></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-38567800952295916392008-08-30T15:31:00.000-07:002008-08-30T15:36:28.167-07:00:: Eckersberg, Christoffer Wilhelm...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjypkaQlhoNUC0WwWFP6HPpylmTw18jAcNBogB1nsEDBZBWqvz-WOQRLQOq5EdZ4oFFzyXEyyBiFhApeb5pyRqGh_Cd6oHYFMqFDtAYrAnqbKfpzNM-JQIuBU2U-4e7xO05N09fcboIiBI/s1600-h/eckersburg2.jpg"><img id="BLOGGER_PHOTO_ID_5240442210557372082" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjypkaQlhoNUC0WwWFP6HPpylmTw18jAcNBogB1nsEDBZBWqvz-WOQRLQOq5EdZ4oFFzyXEyyBiFhApeb5pyRqGh_Cd6oHYFMqFDtAYrAnqbKfpzNM-JQIuBU2U-4e7xO05N09fcboIiBI/s400/eckersburg2.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFENoehebg9TWlTF_0fmZBxUkur3JZ7hpI7lE7ozheaCrW0CSjbZn5ayZaGPnv4IYMDBhF8Krnggxzb-06ih4-oak9nLqymgke5RLwOda0Irzy5pq-SRYx7XjoqTsnKxwTJN-hm4EZK38/s1600-h/nude_mod.jpg"><img id="BLOGGER_PHOTO_ID_5240442148464425858" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFENoehebg9TWlTF_0fmZBxUkur3JZ7hpI7lE7ozheaCrW0CSjbZn5ayZaGPnv4IYMDBhF8Krnggxzb-06ih4-oak9nLqymgke5RLwOda0Irzy5pq-SRYx7XjoqTsnKxwTJN-hm4EZK38/s400/nude_mod.jpg" border="0" /></a><br /><br /><strong>ECKERSBERG, Christoffer Wilhelm<br />(b. 1783, Blakrog, d. 1853, København)<br /></strong><a onclick="return OpenOther('/html/e/eckersbe/index.html')" href="http://www.wga.hu/html/e/eckersbe/index.html"></a><br /><strong>Biography<br />Danish painter. After being trained in Copenhagen and studying in Paris (1810-13) under Jacques-Louis </strong><a onclick="return OpenOther('/bio/d/david_j/biograph.html')" href="http://www.wga.hu/bio/d/david_j/biograph.html"><strong>David,</strong></a><strong> he continued his studies in Rome (1814), where he executed a masterly portrait of his friend Thorvaldsen (Royal Academy, Copenhagen, 1815). Returning to Copenhagen in 1816, he occupied himself mainly with </strong><a onclick="return OpenOther('/html/e/eckersbe/nude_mod.html')" href="http://www.wga.hu/html/e/eckersbe/nude_mod.html"><strong>portraits,</strong></a><strong> minutely rendering the features of his models with a </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#neoclassicism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/e/eckersbe/biograph.html"><strong>Neoclassic</strong></a><strong> feeling for c1arity and purity of line. He also painted many landscapes, however (as he had done in Rome), and as an influential teacher at the Copenhagen Academy (from 1818) he introduced painting from nature into the curriculum. He also executed some religious themes and subjects from Danish history in Christiansborg Palace.<br />His pupils included Johan Christian </strong><a onclick="return OpenOther('/bio/d/dahl/biograph.html')" href="http://www.wga.hu/bio/d/dahl/biograph.html"><strong>Dahl</strong></a><strong> and Christen </strong><a onclick="return OpenOther('/bio/k/kobke/biograph.html')" href="http://www.wga.hu/bio/k/kobke/biograph.html"><strong>Købke</strong></a><strong>. He has been called 'the father of Danish painting' because of the influence he exerted on Danish painters in the second quarter of the 19th century. With Christen Købke he was the leading painter of the Danish 'Golden Age' (c. 1800-1850). </strong></div><strong><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.artcyclopedia.com/artists/eckersberg_christoffer_wilhelm.html">Christoffer Wilhelm Eckersberg .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://en.wikipedia.org/wiki/Christoffer_Wilhelm_Eckersberg">Christoffer Wilhelm Eckersberg .</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.nga.gov/exhibitions/eckersberginfo.shtm">National Gallery of Art - Christoffer Wilhelm Eckersberg, 1783-1853</a> .</div><div><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://www.wga.hu/html/e/eckersbe/index.html">ECKERSBERG, Christoffer Wilhelm</a> .</div><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://web.artprice.com/artistdetails.aspx?idarti=OTQwMzk4NDgzNzI0OTE=&artist=Christoffer+Wilhelm+ECKERSBERG">Christoffer Wilhelm ECKERSBERG.</a></div><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.answers.com/topic/eckersberg-christoffer-vilhelm">Christoffer Wilhelm Eckersberg.</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.metmuseum.org/toah/hi/hi_eckrsbrgchristffer.htm">Eckersberg, Christoffer Wilhelm (Danish, 1783–1853) Artist Index ...</a> .</div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://commons.wikimedia.org/wiki/Creator:Christoffer_Wilhelm_Eckersberg">Christoffer Wilhelm Eckersberg </a></strong></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-82760876173095685962008-08-10T06:39:00.000-07:002008-08-10T07:07:55.076-07:00:: Pintura de Gabriel Metsu...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy-nHKP2lFJ575chujxWxNaVNh8wE49WwAztfa5mPxpAvyC7bDRvMQBSpqzGrmghUcIiHaF-Nu4qetowDlnm_JNR3tZ9vKKiDxyFoB5H0-IObb-T9oDp3lhPEFcfGlLk0IemIEN0Bwr_0/s1600-h/doente.bmp"><img id="BLOGGER_PHOTO_ID_5232883351048986786" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy-nHKP2lFJ575chujxWxNaVNh8wE49WwAztfa5mPxpAvyC7bDRvMQBSpqzGrmghUcIiHaF-Nu4qetowDlnm_JNR3tZ9vKKiDxyFoB5H0-IObb-T9oDp3lhPEFcfGlLk0IemIEN0Bwr_0/s400/doente.bmp" border="0" /></a><br /><br /><div><strong>O quadro "A criança doente" traz um bebê doente e abatido que se esvalece no colo de uma mulher. Do lado deles tem um armário, uma tigela com colher. Atrás, um mapa aberto e um quadro mostrando a cruxificação de Cristo. Possivelmente há mais a ser visto nesta imagem de </strong><a href="http://www.pitoresco.com.br/flamenga/g_metsu/metsu.htm" target="_blank"><strong>Gabriel Metsu</strong></a><strong> do que parece à primeira vista. Pode ser que a mulher represente a virtude de Cristo e o amor ao próximo. A obra está exposta no </strong><a href="http://pt.wikipedia.org/wiki/Rijksmuseum" target="_blank"><strong>Rijksmuseum</strong></a><strong>, museu nacional dos Países Baixos, localizado em Amsterdã.</strong></div><br /><div><strong><span style="font-size:85%;">Via Blog do Noblat<br />(Com colaboração de Catharina Mafra)</span></strong></div><div><strong><span style="font-size:130%;">Veja mais Pintura de Gabriel Metsu em </span><a onclick="" href="http://spiritobaroque.blogspot.com/" rel="nofollow"><span style="font-size:180%;">LO SPIRITO BAROQUE</span></a></strong></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-1944101983539721932008-08-02T14:40:00.000-07:002008-08-02T14:51:09.641-07:00:: Tassaert, Octave...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMLSbfBtuFyYhd9d74j1xAAPHu0PPyNoat6wnUWPn9Pn3CONQWw1wHjBgvo7ocYpiFhA47Lh4hkxtr-aDVNYuW0NN3NPiHTv-g2JPOyde5HhnAKuUE-R-_6AH2eVfHClSf5oXc3ApC2bY/s1600-h/studio_i.jpg"><img id="BLOGGER_PHOTO_ID_5230038670470271906" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMLSbfBtuFyYhd9d74j1xAAPHu0PPyNoat6wnUWPn9Pn3CONQWw1wHjBgvo7ocYpiFhA47Lh4hkxtr-aDVNYuW0NN3NPiHTv-g2JPOyde5HhnAKuUE-R-_6AH2eVfHClSf5oXc3ApC2bY/s400/studio_i.jpg" border="0" /></a>
<br /><strong>TASSAERT, Octave
<br />(b. 1800, Paris, d. 1874, Paris)
<br /></strong><a onclick="return OpenOther('/html/t/tassaert/octave/index.html')" href="http://www.wga.hu/html/t/tassaert/octave/index.html"></a>
<br /><strong>Biography
<br />Painter and printmaker, part of a French family of artists of Flemish origin, son of Jean-Joseph-François Tassaert, who worked mainly in Paris, and grandson of </strong><a onclick="return OpenOther('/bio/t/tassaert/jean/biograph.html')" href="http://www.wga.hu/bio/t/tassaert/jean/biograph.html"><strong>Jean-Pierre-Antoine Tassaert,</strong></a><strong> one of the leading portrait sculptors working in Berlin in the late 18th century.
<br />As a child Octave worked with his brother Paul Tassaert (d. 1855), producing engravings, but he later turned to painting and from 1817 to 1825 studied at the Ecole des Beaux-Arts in Paris, first under Alexis-François Girard (1787-1870) and then Guillaume Lethiere. In 1823 and 1824 he tried unsuccessfully to win the </strong><a onclick="w=window.open ('/database/glossary/glossar4.html#prix', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/t/tassaert/octave/biograph.html"><strong>Prix de Rome</strong></a><strong>, an early failure that greatly disheartened him. For much of his career, until 1849, he continued to work in the graphic arts, as well as painting, producing lithographs and drawings on various subjects: historical scenes from the First Empire, portraits, and mythological and genre scenes. He also produced illustrations for the Romantic novels of Victor Hugo, Alexandre Dumas pere and François-René Chateaubriand.
<br />Though he achieved moderate success at the Salon, it was the graphic work that provided his small income during this period. Later he achieved success as a </strong><a onclick="return OpenOther('/html/t/tassaert/octave/studio_i.html')" href="http://www.wga.hu/html/t/tassaert/octave/studio_i.html"><strong>genre painter,</strong></a><strong> depicting the widespread poverty prevalent in 19th-century Paris. </strong>
<br /><strong>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.artcyclopedia.com/artists/tassaert_octave.html">Octave Tassaert </a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.wga.hu/html/t/tassaert/octave/index.html">TASSAERT, Octave</a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://commons.wikimedia.org/wiki/Image:Octave_Tassaert_1800-1874.jpg">Octave Tassaert 1800-1874</a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://commons.wikimedia.org/wiki/Category:Octave_Tassaert">Octave Tassaert - Wikimedia </a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.allposters.com/-st/Octave-Tassaert-Posters_c72768_.htm">Octave Tassaert </a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.davidrumsey.com/amica/amico8100698-37147.html">Octave Tassaert </a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.nga.gov.au/Exhibition/FrenchPainting/Detail.cfm?IRN=126623">French Painting from the Musee </a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.artnet.com/artist/559764/nicolas-francois-octave-tassaert.html">Nicolas Francois Octave Tassaert </a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.art.com/asp/display_artist-asp/_/crid--42942/Octave_Tassaert.htm">Octave Tassaert </a>
<br /><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.openstockphotography.org/stock-photography/Octave-Tassaert">octave tassaert</a></strong>
<br /></strong>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-17964785592859777702008-07-14T16:05:00.000-07:002008-07-14T16:30:08.700-07:00:: Giordano, Luca...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPt_xc5Kv0h_uXurtlCq4zTFYPFyicu1FhO2LjY17u3eCO7hX4iPrRX8NxUdJqdtdePfbBoHzETe3E8pF5EW4CYVAh2H_jqMJUh4ymPwpmai4RDJQYEFOKuLYcsQdzlflvHSbSOtyFF04/s1600-h/a10.jpg"><img id="BLOGGER_PHOTO_ID_5223015943081658114" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPt_xc5Kv0h_uXurtlCq4zTFYPFyicu1FhO2LjY17u3eCO7hX4iPrRX8NxUdJqdtdePfbBoHzETe3E8pF5EW4CYVAh2H_jqMJUh4ymPwpmai4RDJQYEFOKuLYcsQdzlflvHSbSOtyFF04/s400/a10.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-N0tjEmSJrlWDTXlS-OR5gYsOpeaNl46X9_YSS6BOchisF2Dvyy8jJGYnxmjyMt1gQHcFjM7VhgJ2PeKdCaf_yFAuo53R9Mag6tzYpC9nUqyotZO3vAXmrmQAWkybkShxiEruq0wsA94/s1600-h/a9.jpg"><img id="BLOGGER_PHOTO_ID_5223015781363988226" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-N0tjEmSJrlWDTXlS-OR5gYsOpeaNl46X9_YSS6BOchisF2Dvyy8jJGYnxmjyMt1gQHcFjM7VhgJ2PeKdCaf_yFAuo53R9Mag6tzYpC9nUqyotZO3vAXmrmQAWkybkShxiEruq0wsA94/s400/a9.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRw_ac4pwSUdcqRbfZky3WGdvXfhImZ-d3f-iNTtTsCv74yRx_OR9cqIXGN6Ykw0IKjgDDnRm4ecEwXHUPPkCCrS_qfyfQVqjjHP_6HDaVqhfzkLYngN1l1JwhXRdj9OfUvd4DCGzLp9Y/s1600-h/a6.jpg"><img id="BLOGGER_PHOTO_ID_5223015587006279522" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRw_ac4pwSUdcqRbfZky3WGdvXfhImZ-d3f-iNTtTsCv74yRx_OR9cqIXGN6Ykw0IKjgDDnRm4ecEwXHUPPkCCrS_qfyfQVqjjHP_6HDaVqhfzkLYngN1l1JwhXRdj9OfUvd4DCGzLp9Y/s400/a6.jpg" border="0" /></a><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmm9nrri5yxXy1hfsZ196Nm9VZ8mYRmdyL3rL5d1LkUfrfE80KH00E-jFmj6SVL4vJJ_asoDZk-F8MvXmtLSvdbLRjMP_54j5Im7dVEwlbJa7GvTymPSDDCK7mb-1x2JVvcC4mYc0kjgM/s1600-h/a4.jpg"><img id="BLOGGER_PHOTO_ID_5223015396367364194" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmm9nrri5yxXy1hfsZ196Nm9VZ8mYRmdyL3rL5d1LkUfrfE80KH00E-jFmj6SVL4vJJ_asoDZk-F8MvXmtLSvdbLRjMP_54j5Im7dVEwlbJa7GvTymPSDDCK7mb-1x2JVvcC4mYc0kjgM/s400/a4.jpg" border="0" /></a><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRuveZvYkDfs50TxNjbVerbx1Xw5bGjaDOczxfIDmidlsg33E7FVyan7_n6MiqLaMzk6jQg7VTtSFx0QIjjJ_Jx2wQCETsZUAQ8Sx-GEy2DnorXi8Qwz0gtcJ8hCzxTpplAhs91G4CiIA/s1600-h/a3.jpg"><img id="BLOGGER_PHOTO_ID_5223015201872064786" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRuveZvYkDfs50TxNjbVerbx1Xw5bGjaDOczxfIDmidlsg33E7FVyan7_n6MiqLaMzk6jQg7VTtSFx0QIjjJ_Jx2wQCETsZUAQ8Sx-GEy2DnorXi8Qwz0gtcJ8hCzxTpplAhs91G4CiIA/s400/a3.jpg" border="0" /></a><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8SN1x8UaxE5ydt07u3teVaJ8gchMEIdqC-DW1446SJhSdq6MCQKqy6NdIkC8xPOHDbn27PmLomPe14MXagGxf7W20sJc1zt0zWm7vH1OXkpbfXTN3TW7QwinBh6-xxa8VDf5HpdwopgI/s1600-h/a2.jpg"><img id="BLOGGER_PHOTO_ID_5223015076712225042" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8SN1x8UaxE5ydt07u3teVaJ8gchMEIdqC-DW1446SJhSdq6MCQKqy6NdIkC8xPOHDbn27PmLomPe14MXagGxf7W20sJc1zt0zWm7vH1OXkpbfXTN3TW7QwinBh6-xxa8VDf5HpdwopgI/s400/a2.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYWi0CT3hF-len7MeDKgi3N8ggzh0RndWoa3IVZa2bOg2AZix03YWULnpoZB5z7o4I7GjXS766pzntjhE82f5iTVRNwhMne6V_VYkPHFogxv5hBoQp1FiwfX9t_FWDDFUP2Eld0lQ-Spk/s1600-h/a1.jpg"><img id="BLOGGER_PHOTO_ID_5223014953097779362" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYWi0CT3hF-len7MeDKgi3N8ggzh0RndWoa3IVZa2bOg2AZix03YWULnpoZB5z7o4I7GjXS766pzntjhE82f5iTVRNwhMne6V_VYkPHFogxv5hBoQp1FiwfX9t_FWDDFUP2Eld0lQ-Spk/s400/a1.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPx-x6HO_BZWfaW6piY2hXu164xQNhmYSgJLnJLNdra-MFhMB98FAtCjc-9wRwAvpWo7iaIM4wJ4g0_PxRpXsSJBkYooKafDBVaRdgLEaKJz7tXdYU7bJdTbc0xYcIM3jV8pjfMBZ0zOk/s1600-h/a.jpg"></a><br /><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjxy49WcPmwTjgx2Ip2kUJUXDosu3sZKFbTkT2mxBXlJ2pu7RzesQbhj2DA8Wbno_nv-jIkZMKIg6BRdvJi3_P4Tz5jgLvMTz-H6A9C8KNiM_oxzVtKmIxH60d3FYSLtmfkS98W0LjRkI/s1600-h/l2.jpg"><img id="BLOGGER_PHOTO_ID_5223011599667414690" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjxy49WcPmwTjgx2Ip2kUJUXDosu3sZKFbTkT2mxBXlJ2pu7RzesQbhj2DA8Wbno_nv-jIkZMKIg6BRdvJi3_P4Tz5jgLvMTz-H6A9C8KNiM_oxzVtKmIxH60d3FYSLtmfkS98W0LjRkI/s400/l2.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrY2Qrrv87PLiQ_XRcguJgbTBs2Hq2kzeX6zAeFpVXb4C9YVZ7fFyo5lODaftmMwqHz1F9N4pPx6NTWVDmcnL0Zg0YR9DzB7qT3Kvpc3GHPD-y5PnWGXvzYeFFBtDxEpmdkZrj_YOMWQY/s1600-h/l5.jpg"><img id="BLOGGER_PHOTO_ID_5223010931952455058" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrY2Qrrv87PLiQ_XRcguJgbTBs2Hq2kzeX6zAeFpVXb4C9YVZ7fFyo5lODaftmMwqHz1F9N4pPx6NTWVDmcnL0Zg0YR9DzB7qT3Kvpc3GHPD-y5PnWGXvzYeFFBtDxEpmdkZrj_YOMWQY/s400/l5.jpg" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQoUcGv8EIdnuGXPQBfnDSdG6mItsrA1rDe64IUyIOtyHW5gH8_L0mv4d9KahtkKXmNoJOXtQehcv9iVJlsKPCM7wjABtwEju60BSpEV5tSISEAHOV_awwaGsOy5UqWtlMvuoWEdGEBPc/s1600-h/l6.jpg"><img id="BLOGGER_PHOTO_ID_5223010625457102866" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQoUcGv8EIdnuGXPQBfnDSdG6mItsrA1rDe64IUyIOtyHW5gH8_L0mv4d9KahtkKXmNoJOXtQehcv9iVJlsKPCM7wjABtwEju60BSpEV5tSISEAHOV_awwaGsOy5UqWtlMvuoWEdGEBPc/s400/l6.jpg" border="0" /></a><br /><br /><strong>GIORDANO, Luca<br />(b. 1632, Napoli, d. 1705, Napoli)<br /></strong><a onclick="return OpenOther('/html/g/giordano/index.html')" href="http://www.wga.hu/html/g/giordano/index.html"></a><br /><strong>Biography<br />Neapolitan painter, the most important Italian decorative artist of the second half of the 17th century. He was nicknamed `Luca Fa Presto' (Luke work quickly) because of his prodigious speed of execution and huge output.<br />He began in the circle of </strong><a onclick="return OpenOther('/bio/r/ribera/biograph.html')" href="http://www.wga.hu/bio/r/ribera/biograph.html"><strong>Ribera,</strong></a><strong> but his style became much more colorful under the influence of such great decorative painters as </strong><a onclick="return OpenOther('/bio/v/veronese/biograph.html')" href="http://www.wga.hu/bio/v/veronese/biograph.html"><strong>Veronese,</strong></a><strong> whose works he saw on his extensive travels. Indeed, he absorbed a host of influences and was said to be able to imitate other artists' styles with ease. His work was varied also in subject-matter, although he was primarily a </strong><a onclick="return OpenOther('/html/g/giordano/rebel_an.html')" href="http://www.wga.hu/html/g/giordano/rebel_an.html"><strong>religious</strong></a><strong> and </strong><a onclick="return OpenOther('/html/g/giordano/forge.html')" href="http://www.wga.hu/html/g/giordano/forge.html"><strong>mythological</strong></a><strong> painter.<br />He worked mainly in Naples, but also extensively in Florence and Venice, and his work had great influence in Italy. After five years back in Naples, Giordano went to Florence again where he produced one of his most important works, the gallery frescoes in the Palazzo Medici-Riccardi (1682). These airy, luminous frescos provide a foretaste of eighteenth century art.<br />In 1692 he was called to Spain by Charles II and stayed there for 10 years, painting in Madrid, Toledo, and the Escorial. His last work when he returned to Naples was the </strong><a onclick="return OpenOther('/html/g/giordano/triumph.html')" href="http://www.wga.hu/html/g/giordano/triumph.html"><strong>ceiling of the Treasury Chapel</strong></a><strong> of S. Martino. In his personal self-confidence and courtliness, and in the open, airy compositions and light luminous colors of his work, Giordano presages such great 18th-century painters as </strong><a onclick="return OpenOther('/bio/t/tiepolo/gianbatt/biograph.html')" href="http://www.wga.hu/bio/t/tiepolo/gianbatt/biograph.html"><strong>Tiepolo.</strong></a><strong><br /><br /><br /></strong><br /><br /><br /><br /><br /><br /><br /><br /><div><br /><a id="an1" href="http://www.google.pt/aclk?sa=l&ai=B82n_U9t7SOuBDKXQ0wTd8uiyD9iCjC_8pKGNBuDWy98HoI0GEAEYASDHmPgFOABQqfiquwJg7fzdhawboAH07o_9A8gBAcgCrIm9A9kDDp1t6-Pw_Zg&num=1&ggladgrp=14978891928835901309&gglcreat=9464063539066538435&sig=AGiWqtxEyQhbWiYzg4AQvLeRFilZ6kZEzQ&q=http://affiliates.allposters.com/link/redirect.asp%3Faid%3D1804214426%26search%3DLuca%2BGiordano%26tid1%3D7172%26lang%3D4%26GCID%3Ds15100x015%26keyword%3D%255BLuca%2BGiordano%255D"><strong>Luca Giordano </strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://en.wikipedia.org/wiki/Luca_Giordano"><strong>Luca Giordano - Wikipedia</strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.artcyclopedia.com/artists/giordano_luca.html"><strong>Luca Giordano </strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.ibiblio.org/wm/paint/auth/giordano/"><strong>WebMuseum: Giordano, Luca</strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://www.ocaiw.com/catalog/index.php?lang=pt&catalog=pitt&author=400"><strong>Luca Giordano</strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://pt.wikipedia.org/wiki/Luca_Giordano"><strong>Luca Giordano - Wikipédia</strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.wga.hu/html/g/giordano/index.html"><strong>GIORDANO, Luca</strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://wwar.com/masters/g/giordano-luca.html"><strong>Luca Giordano (1632 - 1705) </strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.britannica.com/EBchecked/topic/234025/Luca-Giordano"><strong>Luca Giordano </strong></a></div><br /><br /><br /><br /><br /><br /><br /><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://home.newadvent.org/cathen/06564b.htm"><strong>CATHOLIC ENCYCLOPEDIA: Luca Giordano</strong></a><br /><br /><br /></div><br /><br /><br /><br /><br /><br /><br /><br /><div><strong></strong></div></div></div></div></div></div></div></div></div></div></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-27570004515187020352008-07-14T15:56:00.000-07:002008-07-14T16:36:35.710-07:00:: Luca Giordano - O Sonho de Salomão....<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ-5S-s-_SUf7nKQY1ZLo7blWF2fNCii2CmDPCp_pngalhqoZycpqEJerygB6i2W_776egliVSCODHqPR349OmSXYTIdNUdeUo4wHADOVmHhUYcELXPUnTMLegOGZG8Q8IX5l8_aCP4KY/s1600-h/luca.jpg"><img id="BLOGGER_PHOTO_ID_5223007473974817794" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ-5S-s-_SUf7nKQY1ZLo7blWF2fNCii2CmDPCp_pngalhqoZycpqEJerygB6i2W_776egliVSCODHqPR349OmSXYTIdNUdeUo4wHADOVmHhUYcELXPUnTMLegOGZG8Q8IX5l8_aCP4KY/s400/luca.jpg" border="0" /></a> <strong>Os primeiros trabalhos do pintor italiano </strong><a href="http://pt.wikipedia.org/wiki/Luca_Giordano" target="_blank"><strong>Luca Giordano</strong></a><strong> mostram a influência de Giuseppe Rivera, pintor espanhol de Nápoles, com quem é provável que tenha estudado. Ganhou estilo próprio depois de viagens a Roma, Veneza e Florença. </strong><br /><strong>De 1692 a 1702 foi pintor da corte de Carlos II, em Madrid. </strong><br /><strong>A obra "O sonho de Salomão", ocorrido, segundo texto bíblico, em Gabaon, está exposta no Museu de Prado, em Madrid. No sonho, Deus disse a Salomão que pedisse o que quisesse.</strong><br /><strong><span style="font-size:130%;"> Salomão pediu sabedoria para discernir entre o bem e o mal. </span></strong><br /><strong>(Na verdade o que a maioria das pessoas necessita!!!)<br /><br /></strong><strong></strong>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-79582957665755519432008-06-28T15:37:00.000-07:002008-06-28T15:40:06.130-07:00:: Lo Spirito Baroque...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhneb9kUlXUEUw0a1gKwOKVPHDp2RFfSPEI-1vT0ir5AqFA71FhtWdPKxCK_N1cEWdiChe9NGDLjO_RGhmrjZiIR2sYMVc6VOCP2ZpXOWrSMFfOr7iF2qTpw01nAdOqYwKtoPo_8uiTkxY/s1600-h/danube.jpg"><img id="BLOGGER_PHOTO_ID_5217065352152999362" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhneb9kUlXUEUw0a1gKwOKVPHDp2RFfSPEI-1vT0ir5AqFA71FhtWdPKxCK_N1cEWdiChe9NGDLjO_RGhmrjZiIR2sYMVc6VOCP2ZpXOWrSMFfOr7iF2qTpw01nAdOqYwKtoPo_8uiTkxY/s400/danube.jpg" border="0" /></a><br /><div><strong>Más Arte en<span style="font-size:130%;"> </span></strong><a onclick="" href="http://spiritobaroque.blogspot.com/" rel="nofollow"><strong><span style="font-size:130%;">LO SPIRITO BAROQUE</span></strong></a></div>FONTANA DI TREVIhttp://www.blogger.com/profile/12634705799195748642noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-11430200976423680782008-06-22T13:44:00.001-07:002008-06-22T14:01:00.147-07:00:: Verkolje, Johannes...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicbaFjxDeF_BC4IKKJPnkt_rX2-S6Ba5h05c0ncebIkOvoH2AohWok2SVTCXYGLtyUWnQyJrW84_czLeBTjtmqavJpixtFDJ8WuZJivKOsP7Gr0edUZ7gGnTh0KqieVf8XG06l2yI0fHY/s1600-h/PortraitLadyPetSpaniel.jpg"><img id="BLOGGER_PHOTO_ID_5214813308001528194" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicbaFjxDeF_BC4IKKJPnkt_rX2-S6Ba5h05c0ncebIkOvoH2AohWok2SVTCXYGLtyUWnQyJrW84_czLeBTjtmqavJpixtFDJ8WuZJivKOsP7Gr0edUZ7gGnTh0KqieVf8XG06l2yI0fHY/s400/PortraitLadyPetSpaniel.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFebOZdVBzTYfuQhL78rgQ3v2Ven8fev_kNLuhFmRs9cKVlwV4nidQBMe-XxWO6u_JM_GCasdPBJJfxBdXrUIhQZ2X-U6Xch6NFQr8EklGW3R-4vRZZXoV3tB4kQOe5mn-ZV-KLMdQw7U/s1600-h/Interruption-of-Music.jpg"><img id="BLOGGER_PHOTO_ID_5214813252794339826" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFebOZdVBzTYfuQhL78rgQ3v2Ven8fev_kNLuhFmRs9cKVlwV4nidQBMe-XxWO6u_JM_GCasdPBJJfxBdXrUIhQZ2X-U6Xch6NFQr8EklGW3R-4vRZZXoV3tB4kQOe5mn-ZV-KLMdQw7U/s400/Interruption-of-Music.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaARSmZIOOAzTqHRtmolNne3G11HMYLurJeCOatKKmUXS3hu9L6nhZgMEKAZk69CZtGTYaaaRZtCEv3_IPXLjPr-SF0PonMiAy52ZflOHDPTxKiXA0dKnvqiZDwJKzfns9-QqO90ZMe3s/s1600-h/WomanNursingAnInfant.jpg"><img id="BLOGGER_PHOTO_ID_5214813192462469682" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaARSmZIOOAzTqHRtmolNne3G11HMYLurJeCOatKKmUXS3hu9L6nhZgMEKAZk69CZtGTYaaaRZtCEv3_IPXLjPr-SF0PonMiAy52ZflOHDPTxKiXA0dKnvqiZDwJKzfns9-QqO90ZMe3s/s400/WomanNursingAnInfant.jpg" border="0" /></a><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs31QnTfYdngcTWlBuYHl6W4iYH0_DMYomQX6ZCwA5cR9qPYwY7wu1bwtFwPEb7jRERumjbRrFdbz5cBvPjr2_yZa0mSAV87C-1zVTB7FAJnmkQfUpWC0AjW1ewTnRtxmBWDruCN2QAgo/s1600-h/portrai2.jpg"><img id="BLOGGER_PHOTO_ID_5214810017261153074" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs31QnTfYdngcTWlBuYHl6W4iYH0_DMYomQX6ZCwA5cR9qPYwY7wu1bwtFwPEb7jRERumjbRrFdbz5cBvPjr2_yZa0mSAV87C-1zVTB7FAJnmkQfUpWC0AjW1ewTnRtxmBWDruCN2QAgo/s400/portrai2.jpg" border="0" /></a><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2dV973ORLvoNZOiq7W_qUytx05ReV94hRPff16RT3vh3y0ccIv4NZeQoQsrGOTFv-eUdvEY7dazuXYm7X7tpDHxsur1lk7zDqnR3yDmyEJvuXmmMq4n0pmYvDS6I1Zzb4nArI5oMqsZw/s1600-h/messenge.jpg"><img id="BLOGGER_PHOTO_ID_5214809920967340194" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2dV973ORLvoNZOiq7W_qUytx05ReV94hRPff16RT3vh3y0ccIv4NZeQoQsrGOTFv-eUdvEY7dazuXYm7X7tpDHxsur1lk7zDqnR3yDmyEJvuXmmMq4n0pmYvDS6I1Zzb4nArI5oMqsZw/s400/messenge.jpg" border="0" /></a><br /><br /><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7tmCk-OdZvbfrmfF5OePNR35pxLoiqShDayQRG3iW6QdCeZNKAY5qri9ztoUIEGge-NxA9Oxm0P7ONTEfn7HtPwVQzPQDE7mKvCkBs6PJ9SxQMWp46l8TvQWdPXr9jrha-PooYmdX8mE/s1600-h/portrai1.jpg"><img id="BLOGGER_PHOTO_ID_5214809589782930786" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7tmCk-OdZvbfrmfF5OePNR35pxLoiqShDayQRG3iW6QdCeZNKAY5qri9ztoUIEGge-NxA9Oxm0P7ONTEfn7HtPwVQzPQDE7mKvCkBs6PJ9SxQMWp46l8TvQWdPXr9jrha-PooYmdX8mE/s400/portrai1.jpg" border="0" /></a><br /><strong>VERKOLJE, Johannes<br />(b. 1650, Amsterdam, d. 1693, Delft)<br /></strong><a onclick="return OpenOther('/html/v/verkolje/index.html')" href="http://www.wga.hu/html/v/verkolje/index.html"></a><br /><strong>Biography<br />Dutch painter, member of a family of painters. He was the son of a locksmith, specialized in genre scenes set in richly furnished interiors, although he also painted mythological scenes and portraits. His two sons, Nicolaas Verkolje and Johannes Verkolje II (d 1760) were also painters and his followers.<br />According to Houbraken, he spent six months as the pupil of Jan Andrea Lievens (1644-80), where he completed unfinished mythological and genre pictures by Gerrit Pietersz. van Zijl (1619-65). Verkolje married Judith Voorheul in Delft in 1672 and in the following year joined the city's Guild of St Luke, serving as its dean between 1678 and 1688.<br />Verkolje's genre scenes, for example the Musical Company (1673; Amsterdam, Rijksmuseum), </strong><a onclick="return OpenOther('/html/v/verkolje/messenge.html')" href="http://www.wga.hu/html/v/verkolje/messenge.html"><strong>The Messenger</strong></a><strong> (1674; The Hague, Mauritshuis) and the Elegant Couple (c. 1674; private collection), were influenced by </strong><a onclick="return OpenOther('/bio/m/metsu/biograph.html')" href="http://www.wga.hu/bio/m/metsu/biograph.html"><strong>Gabriel Metsu,</strong></a><strong> </strong><a onclick="return OpenOther('/bio/t/terborch/biograph.html')" href="http://www.wga.hu/bio/t/terborch/biograph.html"><strong>Gerard Terborch</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/n/netscher/biograph.html')" href="http://www.wga.hu/bio/n/netscher/biograph.html"><strong>Caspar Netscher.</strong></a><strong> Verkolje's portraits commanded high prices and were greatly valued for their outstanding finish, a style more polished than that of his predecessors. His work as a </strong><a onclick="return OpenOther('/html/v/verkolje/zvenus.html')" href="http://www.wga.hu/html/v/verkolje/zvenus.html"><strong>mezzotint engraver</strong></a><strong> was equally appreciated and sought after. On the basis of a few mezzotints made between 1680 and 1684 after the work of English artists, it is generally supposed that Verkolje lived in London at that time, although this is unproven.<br />As a draughtsman, he made precise, small cabinet pieces usually employing pen and ink with brown wash or watercolour heightened with white chalk. </strong><a onclick="return OpenOther('/bio/h/houbrake/biograph.html')" href="http://www.wga.hu/bio/h/houbrake/biograph.html"><strong>Houbraken</strong></a><strong> mentioned Albertus van der Burgh (b 1672), Joan van der Spriet (fl c. 1700) and Willem Verschuuring (1657-1715), among others, as Verkolje's pupils.<br />VERKOLJE, Johannes<br />(b. 1650, Amsterdam, d. 1693, Delft)<br /></strong><a onclick="return OpenOther('/html/v/verkolje/index.html')" href="http://www.wga.hu/html/v/verkolje/index.html"></a><br /><strong>Biography<br />Dutch painter, member of a family of painters. He was the son of a locksmith, specialized in genre scenes set in richly furnished interiors, although he also painted mythological scenes and portraits. His two sons, Nicolaas Verkolje and Johannes Verkolje II (d 1760) were also painters and his followers.<br />According to Houbraken, he spent six months as the pupil of Jan Andrea Lievens (1644-80), where he completed unfinished mythological and genre pictures by Gerrit Pietersz. van Zijl (1619-65). Verkolje married Judith Voorheul in Delft in 1672 and in the following year joined the city's Guild of St Luke, serving as its dean between 1678 and 1688.<br />Verkolje's genre scenes, for example the Musical Company (1673; Amsterdam, Rijksmuseum), </strong><a onclick="return OpenOther('/html/v/verkolje/messenge.html')" href="http://www.wga.hu/html/v/verkolje/messenge.html"><strong>The Messenger</strong></a><strong> (1674; The Hague, Mauritshuis) and the Elegant Couple (c. 1674; private collection), were influenced by </strong><a onclick="return OpenOther('/bio/m/metsu/biograph.html')" href="http://www.wga.hu/bio/m/metsu/biograph.html"><strong>Gabriel Metsu,</strong></a><strong> </strong><a onclick="return OpenOther('/bio/t/terborch/biograph.html')" href="http://www.wga.hu/bio/t/terborch/biograph.html"><strong>Gerard Terborch</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/n/netscher/biograph.html')" href="http://www.wga.hu/bio/n/netscher/biograph.html"><strong>Caspar Netscher.</strong></a><strong> Verkolje's portraits commanded high prices and were greatly valued for their outstanding finish, a style more polished than that of his predecessors. His work as a </strong><a onclick="return OpenOther('/html/v/verkolje/zvenus.html')" href="http://www.wga.hu/html/v/verkolje/zvenus.html"><strong>mezzotint engraver</strong></a><strong> was equally appreciated and sought after. On the basis of a few mezzotints made between 1680 and 1684 after the work of English artists, it is generally supposed that Verkolje lived in London at that time, although this is unproven.<br />As a draughtsman, he made precise, small cabinet pieces usually employing pen and ink with brown wash or watercolour heightened with white chalk. </strong><a onclick="return OpenOther('/bio/h/houbrake/biograph.html')" href="http://www.wga.hu/bio/h/houbrake/biograph.html"><strong>Houbraken</strong></a><strong> mentioned Albertus van der Burgh (b 1672), Joan van der Spriet (fl c. 1700) and Willem Verschuuring (1657-1715), among others, as Verkolje's pupils.</strong></div><strong><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.oceansbridge.com/oil-paintings/section.php?xSec=780">Johannes Verkolje Paintings</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.papillonclub.org/History/PhotoGallery-OldMasters-V.html"> America's Historical</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://www.essentialvermeer.com/dutch-painters/verkolje.html">A Gallery of Dutch Masters</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.isabel.com/gallery/reproduction/artist.html">Other Great Artists</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.artfact.com/features/viewArtist.cfm?aID=27789">Jan Verkolje [1650-1693] </a> </strong></div><br /><br /><br /><div><br /> </div></div></div></div></div>ANJOS PRADAhttp://www.blogger.com/profile/17024624409184960658noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-54242960947533437002008-06-22T13:37:00.001-07:002008-06-22T13:37:16.063-07:00::<div><embed src="http://widget-c0.slide.com/widgets/slideticker.swf" type="application/x-shockwave-flash" quality="high" scale="noscale" salign="l" wmode="transparent" flashvars="cy=bb&il=1&channel=576460752334705088&site=widget-c0.slide.com" style="width:400px;height:400px" name="flashticker" align="middle"></embed><div style="width:400px;text-align:left;"><a href="http://www.slide.com/pivot?cy=bb&at=un&id=576460752334705088&map=1" target="_blank"><img src="http://widget-c0.slide.com/p1/576460752334705088/bb_t043_v000_s0un_f00/images/xslide1.gif" border="0" ismap="ismap" /></a> <a href="http://www.slide.com/pivot?cy=bb&at=un&id=576460752334705088&map=2" target="_blank"><img src="http://widget-c0.slide.com/p2/576460752334705088/bb_t043_v000_s0un_f00/images/xslide2.gif" border="0" ismap="ismap" /></a> <a href="http://www.slide.com/pivot?cy=bb&at=un&id=576460752334705088&map=F" target="_blank"><img src="http://widget-c0.slide.com/p4/576460752334705088/bb_t043_v000_s0un_f00/images/xslide42.gif" border="0" ismap="ismap" /></a></div></div>ANJOS PRADAhttp://www.blogger.com/profile/17024624409184960658noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-65398629036212226582008-06-22T13:27:00.001-07:002008-06-22T13:36:58.448-07:00:: Velde, Willem van de, the Younger...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg13tGYlOPvKqtGxZqEqZJEpBHa8c-y0IQ1mMI3LWLnVLbsRjv6C5IUX5MHxt1nuiPiP7TzIWSPpm5lo0qctIeagL6nvmWZbTYYgUPIpFfCwcPJl1-RsI_wgdhqB_4kOChAgJTupJhczsU/s1600-h/calmdutch.jpg"><img id="BLOGGER_PHOTO_ID_5214805428065297250" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg13tGYlOPvKqtGxZqEqZJEpBHa8c-y0IQ1mMI3LWLnVLbsRjv6C5IUX5MHxt1nuiPiP7TzIWSPpm5lo0qctIeagL6nvmWZbTYYgUPIpFfCwcPJl1-RsI_wgdhqB_4kOChAgJTupJhczsU/s400/calmdutch.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnykKBzySI0roAYOUzxbu2RMmYhwIiiE0tiQnw2lGGk3zI3RvyFV0YiK9ezULgMAmFvcY-dVOm8vgRkir6gUaGSLk2Nfo-i8XUdejUxVMPoOifsYdQZ_ZtTgPTVM3O68SrsSiWaHg5p1k/s1600-h/warships.jpg"><img id="BLOGGER_PHOTO_ID_5214805351095911490" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnykKBzySI0roAYOUzxbu2RMmYhwIiiE0tiQnw2lGGk3zI3RvyFV0YiK9ezULgMAmFvcY-dVOm8vgRkir6gUaGSLk2Nfo-i8XUdejUxVMPoOifsYdQZ_ZtTgPTVM3O68SrsSiWaHg5p1k/s400/warships.jpg" border="0" /></a><br /><strong>VELDE, Willem van de, the Younger<br />(b. 1633, Leiden, d. 1707, London)<br /></strong><a onclick="return OpenOther('/html/v/velde/willem/index.html')" href="http://www.wga.hu/html/v/velde/willem/index.html"></a><br /><strong>Biography<br />Velde, van de, family of Dutch marine painters and landscapists of the 17th century.<br /></strong><a onclick="return OpenOther('/html/v/velde/willem_e/index.html')" href="http://www.wga.hu/html/v/velde/willem_e/index.html"><strong>Willem van de Velde the Elder</strong></a><strong> (circa 1611-93)<br />Dutch marine painter. He was the son of a naval captain, his brother was a skipper of merchant vessels, and he himself spent part of his youth as a sailor before devoting himself to the drawing and painting of ships. His pictures, which are frequently grisailles, contain faithful and detailed portraits of ships (of much value to naval historians) and for a time he was an official artist for the Dutch fleet. In 1672, when the Netherlands were at war with England, he went to London and entered the service of Charles II; why he left his country at a critical moment in its fortunes remains a mystery.<br />Willem van de Velde the Younger (1633-1707)<br />Willem's son, he is one of the most illustrious of all marine painters. He was the pupil of his father and Simon </strong><a onclick="return OpenOther('/bio/v/vlieger/biograph.html')" href="http://www.wga.hu/bio/v/vlieger/biograph.html"><strong>de Vlieger.</strong></a><strong> Like his father, he gave very accurate </strong><a onclick="return OpenOther('/html/v/velde/willem/calm_dut.html')" href="http://www.wga.hu/html/v/velde/willem/calm_dut.html"><strong>portrayals of ships,</strong></a><strong> but is distinguished from him by his feeling for atmosphere and majestic sense of composition. He left Amsterdam for England with his father in 1672 and in 1674 Charles II gave them a yearly retaining fee of 100 pounds each; the father received his "for taking and making draughts of seafights" and the son "for putting the said draughts into colours for our own particular use". They did not switch their allegiance to England completely; both subsequently painted pictures of naval battles for the Dutch as well as the English market. Willem the Younger's influence, however, was particularly great in England, where the whole tradition of marine painting stemmed from him.<br /></strong><a onclick="return OpenOther('/html/v/velde/adriaen/index.html')" href="http://www.wga.hu/html/v/velde/adriaen/index.html"><strong>Adriaen van de Velde</strong></a><strong> (1636-72)<br />Brother of Willem the Younger, was a prolific artist in spite of his short life. His father and Jan Wijnants were his teachers. He painted various types of </strong><a onclick="return OpenOther('/html/v/velde/adriaen/the_farm.html')" href="http://www.wga.hu/html/v/velde/adriaen/the_farm.html"><strong>landscapes</strong></a><strong> (most notably some fresh and atmospheric </strong><a onclick="return OpenOther('/html/v/velde/adriaen/beachsch.html')" href="http://www.wga.hu/html/v/velde/adriaen/beachsch.html"><strong>beach scenes)</strong></a><strong> and also religious and mythological works, portraits, and animal pictures. He also did exceptionally fine etchings of landscapes with cattle and often</strong> <strong>painted the figures into the landscapes of other artists, notably </strong><a onclick="return OpenOther('/bio/h/hobbema/biograph.html')" href="http://www.wga.hu/bio/h/hobbema/biograph.html"><strong>Hobbema</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/r/ruysdael/jacob//biograph.html')" href="http://www.wga.hu/bio/r/ruysdael/jacob//biograph.html"><strong>Ruisdael.</strong></a> </div><br /><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://en.wikipedia.org/wiki/Willem_van_de_Velde,_the_younger"><strong>Willem van de Velde the Younger </strong></a></div><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.artcyclopedia.com/artists/velde_the_younger_willem_van_de.html"><strong>Willem van de Velde the Younger </strong></a></div><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.nmm.ac.uk/mag/pages/mnuInDepth/Biography.cfm?biog=137"><strong>Biography of Willem van de Velde, the Younger</strong></a><br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.portcities.org.uk/london/server/show/ConGallery.139/Willem-van-Velde-the-Elder-(161193)-and-the-Younger-(16331707)-in-London-16721707.html"><strong>Willem van Velde the Elder (1611-93) and the Younger (1633—1707 </strong></a></div><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.rijksmuseum.nl/aria/aria_artists/00017099?lang=en"><strong>Willem van de Velde II - Rijksmuseum Amsterdam </strong></a></div><br /><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.oxforddnb.com/index/101028079/"><strong>Willem van de Velde the younger</strong></a></div>ANJOS PRADAhttp://www.blogger.com/profile/17024624409184960658noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-28832179570160464572008-06-22T13:13:00.000-07:002008-06-22T13:18:25.904-07:00:: Naldini, Giovanni Battista...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzUXbDEbtdERzeOpioHYGXv_yEIAWLGUQ5K7fOOacerAIDeLdnJBRRHF_BNR8lpbV9CpAVkZ5QyqMmaAA-jLxyrxphxNk6mvUljvwvxvStGEtrXGvzcQGTCOVsFlHqTQsiLE20rTi3tmY/s1600-h/lamentat.jpg"><img id="BLOGGER_PHOTO_ID_5214801596722765170" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzUXbDEbtdERzeOpioHYGXv_yEIAWLGUQ5K7fOOacerAIDeLdnJBRRHF_BNR8lpbV9CpAVkZ5QyqMmaAA-jLxyrxphxNk6mvUljvwvxvStGEtrXGvzcQGTCOVsFlHqTQsiLE20rTi3tmY/s400/lamentat.jpg" border="0" /></a><br /><div><br /><strong>NALDINI, Giovan Battista<br />(b. ca. 1537, Fiesole, d. 1591, Firenze)<br /></strong><a onclick="return OpenOther('/html/n/naldini/index.html')" href="http://www.wga.hu/html/n/naldini/index.html"></a><br /><strong>Biography<br />Italian painter and draughtsman. He was the artistic heir of Jacopo </strong><a onclick="return OpenOther('/bio/p/pontormo/biograph.html')" href="http://www.wga.hu/bio/p/pontormo/biograph.html"><strong>Pontormo,</strong></a><strong> with whom he trained from 1549 to 1556. While maintaining an allegiance to the ideals of </strong><a onclick="return OpenOther('/bio/a/andrea/sarto/biograph.html')" href="http://www.wga.hu/bio/a/andrea/sarto/biograph.html"><strong>Andrea del Sarto</strong></a><strong> and Pontormo, he also worked in the vocabularies of </strong><a onclick="return OpenOther('/bio/b/bronzino/biograph.html')" href="http://www.wga.hu/bio/b/bronzino/biograph.html"><strong>Bronzino</strong></a><strong> and </strong><a onclick="return OpenOther('/bio/v/vasari/biograph.html')" href="http://www.wga.hu/bio/v/vasari/biograph.html"><strong>Vasari.</strong></a><strong> From these sources he forged an individual style of drawing indebted to del Sarto in its loose handling of chalk and reminiscent of Pontormo in its schematic figures defined by firm contours and modelled with loose hatching or spots of wash. There are an analogous stylization and an expressive freedom in his treatment of serpentine figures, which are sculptural in form but painterly in detail, arranged in compact compositions with concentrated lights revealing passages of warm yellows, reds and greens. Particularly characteristic is the Christ Carrying the Cross (1566; Florence, S Maria Assunta), which is distinguished in its colouring and expressive figures from the chill linearity and metallic forms of Bronzino, Vasari and </strong><a onclick="return OpenOther('/bio/a/allori/alessand/biograph.html')" href="http://www.wga.hu/bio/a/allori/alessand/biograph.html"><strong>Alessandro Allori.</strong></a> </div><div> <a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.artcyclopedia.com/artists/naldini_giovanni_battista.html"><strong>Giovanni Battista Naldini</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://wwar.com/masters/n/naldini-giovanni_battista.html"><strong>Giovanni Battista Naldini (1537 - 1591) </strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.getty.edu/art/gettyguide/artMakerDetails?maker=829"><strong>Giovanni Battista Naldini (Getty Museum</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.biography-center.com/biographies/5923-Naldini_Giovanni_Battista.html"><strong> Biographies of Giovanni Battista Naldini</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://en.wikipedia.org/wiki/Giovanni_Battista_Naldini"><strong>Giovanni Battista Naldini - Wikipedia</strong></a></div>ANJOS PRADAhttp://www.blogger.com/profile/17024624409184960658noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-26535371105411613982008-06-22T12:59:00.000-07:002008-06-22T13:05:21.320-07:00:: Suvée, Jooseph-Benoit...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPVE_RcueysElkEni4svLW2bJndWVoGAjzKyCP1ZuG_-hDwr4hLeS20Xgi5-5p79tkJp8XN7bNxfec4tzZZOE4c0hAhv0kWxyDfBBgKqBQELn2ZocLib_B-o0TyWX46RNZk8vM4Wf8NxQ/s1600-h/miloncro.jpg"><img id="BLOGGER_PHOTO_ID_5214798318279070034" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPVE_RcueysElkEni4svLW2bJndWVoGAjzKyCP1ZuG_-hDwr4hLeS20Xgi5-5p79tkJp8XN7bNxfec4tzZZOE4c0hAhv0kWxyDfBBgKqBQELn2ZocLib_B-o0TyWX46RNZk8vM4Wf8NxQ/s400/miloncro.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT6cLacysmBlrTrT4tFmxnndphjRPYow-N6X6ggdTfg3L1DeybmFYV1pMEfqxlG3vOOQU3J2NuGzpilvUSwR1zTN0dKTc21kAT3-_MXRstpzfrloYi_LTkDK7HzQA3PZ-aNDOBECAZ6nw/s1600-h/j_couple.jpg"><img id="BLOGGER_PHOTO_ID_5214798249133980978" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT6cLacysmBlrTrT4tFmxnndphjRPYow-N6X6ggdTfg3L1DeybmFYV1pMEfqxlG3vOOQU3J2NuGzpilvUSwR1zTN0dKTc21kAT3-_MXRstpzfrloYi_LTkDK7HzQA3PZ-aNDOBECAZ6nw/s400/j_couple.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwLDblvTUe9eUMIYvJ9cmoV7LHjk7Dn9HebS30o6tkG1jbG2RzVs2LDrj6ixu6EkoSZpjEaCthFH3ZyhLnCWN9tllcudwVDwLRKl2iNZtzuhrZHLLr_qpozlFbrQCaukzX87q9O_tJc-M/s1600-h/inventio.jpg"><img id="BLOGGER_PHOTO_ID_5214798163456712178" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwLDblvTUe9eUMIYvJ9cmoV7LHjk7Dn9HebS30o6tkG1jbG2RzVs2LDrj6ixu6EkoSZpjEaCthFH3ZyhLnCWN9tllcudwVDwLRKl2iNZtzuhrZHLLr_qpozlFbrQCaukzX87q9O_tJc-M/s400/inventio.jpg" border="0" /></a><br /><br /><br /><strong>SUVÉE, Joseph-Benoit<br />(b. 1743, Brugge, d. 1807, Roma)<br /></strong><a onclick="return OpenOther('/html/s/suvee/index.html')" href="http://www.wga.hu/html/s/suvee/index.html"></a><br /><strong>Biography<br />Flemish painter from Bruges. He was always referred to by Jacques-Louis David as 'l'ignare Suvée', and was, like David, a pupil of Vien, and David's lifelong rival for the leadership of </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#neoclassicism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/s/suvee/biograph.html"><strong>Neoclassicism</strong></a><strong> in France. He came from Bruges to Paris and won the </strong><a onclick="w=window.open ('/database/glossary/glossar4.html#prix', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/s/suvee/biograph.html"><strong>Prix de Rome</strong></a><strong> against David in 1771, spending a year at the École des Élèves protégés, and then going to Rome 1772-78, after which he returned to Paris and became Agréé (1779) and Member of the Academy (1780) and Painter to the King. He returned to Rome as Director of the French Academy there, in 1792, but lost his job when David became dictator of the arts. He was imprisoned (like David) under the Terror. 1794-95, but was reappointed to Rome by Napoleon in 1801 and remained there until his death. His works are now largely forgotten, but there are several in Bruges and others in French provincial museums, including Besançon and Lille. </strong></div><strong><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://www.artcyclopedia.com/artists/suvee_joseph-benoit.html">Joseph-Benoit Suvee </a>~</div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://wwar.com/masters/s/suvee-joseph-benoit.html">Joseph-benoit Suvee (1743 - 1807) </a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.bestpriceart.com/painting/?image=suvee1.jpg&tc=cgfa">Joseph Benoît Suvée </a></div><div><a class="l" onmousedown="return clk('http://en.wikipedia.org/wiki/Joseph-Beno%C3%AEt_Suv%C3%A9e','','','res','4','')" href="http://en.wikipedia.org/wiki/Joseph-Beno%C3%AEt_Suv%C3%A9e">Joseph-Benoît Suvée </a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://www.antiqbook.be/boox/bli/6683.shtml"> Joseph Benoît Suvée en het neoclassicisme</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','6','')" href="http://www.artnet.com/artist/658582/joseph-benoit-suvee.html">Joseph Benoit Suvee artnet</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.codart.nl/exhibitions/details/1512/"> Museums with Dutch art & Flemish art</a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://www.artunframed.com/suvee.htm">Joseph Benoit Suvee paintings </a><br /><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.artfacts.net/index.php/pageType/exhibitionInfo/exhibition/117165/lang/3">Joseph Benoît Suvée</a></strong></div></div>ANJOS PRADAhttp://www.blogger.com/profile/17024624409184960658noreply@blogger.comtag:blogger.com,1999:blog-5030589910712611816.post-57345611569308365162008-06-22T12:46:00.000-07:002008-06-22T12:51:59.583-07:00:: Aachen, Hans von...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5bKw7d1_yrswRqDJzjmbU0ek-NfRu7VVLgGS-lLjd7GMB9prb8wvUu4CPGjgvp9VRTqlBb6h7BXzohqbuLmeeF7zI7LUSoiKArVE028w7I9g-S-8yeIiZoIrmuccO1nI5kjnMTcUBKas/s1600-h/j_couple.jpg"><img id="BLOGGER_PHOTO_ID_5214794978628502130" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5bKw7d1_yrswRqDJzjmbU0ek-NfRu7VVLgGS-lLjd7GMB9prb8wvUu4CPGjgvp9VRTqlBb6h7BXzohqbuLmeeF7zI7LUSoiKArVE028w7I9g-S-8yeIiZoIrmuccO1nI5kjnMTcUBKas/s400/j_couple.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhiF-ncN4oFcajQSD1Riv1rnuFfVuWMeQHk1-2FQTzu7BDJy-IikGi6iNUWVhcZJklwvn0e1DFHe4oNlBYd20vefltVh5HkFkgGLUr7bE_TaW3S7bQblueU5kJAbnUmOPyMamfc3bNUI8/s1600-h/bacchus.jpg"><img id="BLOGGER_PHOTO_ID_5214794906881765474" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhiF-ncN4oFcajQSD1Riv1rnuFfVuWMeQHk1-2FQTzu7BDJy-IikGi6iNUWVhcZJklwvn0e1DFHe4oNlBYd20vefltVh5HkFkgGLUr7bE_TaW3S7bQblueU5kJAbnUmOPyMamfc3bNUI8/s400/bacchus.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7jas6vBzc9QbxsBxVWzaE6ZMhmhIlm5GG8ooTveIIKsYl-4tg_8pWKeDugWJu-x2Hwpbwrtq0saS3-0LaF5XqEKx6IN9bu5hljfPs5-zbN0aOh_uayaGp7U2XfmP7aw9DrptMHnQ6PkA/s1600-h/allegory.jpg"><img id="BLOGGER_PHOTO_ID_5214794804993885250" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7jas6vBzc9QbxsBxVWzaE6ZMhmhIlm5GG8ooTveIIKsYl-4tg_8pWKeDugWJu-x2Hwpbwrtq0saS3-0LaF5XqEKx6IN9bu5hljfPs5-zbN0aOh_uayaGp7U2XfmP7aw9DrptMHnQ6PkA/s400/allegory.jpg" border="0" /></a><br /><strong>AACHEN, Hans von<br />(b. 1552, Köln, d. 1615, Praha)<br /></strong><a onclick="return OpenOther('/html/a/aachen/index.html')" href="http://www.wga.hu/html/a/aachen/index.html"></a><br /><strong>Biography<br />German painter, born in Cologne (in spite of his name, which derives from his father's birthplace) and active in the Netherlands, Italy (1574-87), and most notably Prague, where he settled in 1596 as court painter to the emperor Rudolf II. On Rudolf's death (1612) he worked for the emperor Matthias.<br />His paintings, featuring elegant, elongated figures, are - like those of his colleague Bartholomeus </strong><a onclick="return OpenOther('/bio/s/spranger/biograph.html')" href="http://www.wga.hu/bio/s/spranger/biograph.html"><strong>Spranger</strong></a><strong> - leading examples of the sophisticated </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#mannerism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/a/aachen/biograph.html"><strong>Mannerist</strong></a><strong> art then in vogue at the courts of Northern Europe, and he was particularly good with playfully erotic nudes (</strong><a onclick="return OpenOther('/html/a/aachen/allegory.html')" href="http://www.wga.hu/html/a/aachen/allegory.html"><strong>The Triumph of Truth,</strong></a><strong> Alte Pinakothek, Munich, 1598). Engravings after his work gave his style wide infiuence and he ranks as one of the most important German artists of his time.<br />AACHEN, Hans von<br />(b. 1552, Köln, d. 1615, Praha)<br /></strong><a onclick="return OpenOther('/html/a/aachen/index.html')" href="http://www.wga.hu/html/a/aachen/index.html"></a><br /><strong>Biography<br />German painter, born in Cologne (in spite of his name, which derives from his father's birthplace) and active in the Netherlands, Italy (1574-87), and most notably Prague, where he settled in 1596 as court painter to the emperor Rudolf II. On Rudolf's death (1612) he worked for the emperor Matthias.<br />His paintings, featuring elegant, elongated figures, are - like those of his colleague Bartholomeus </strong><a onclick="return OpenOther('/bio/s/spranger/biograph.html')" href="http://www.wga.hu/bio/s/spranger/biograph.html"><strong>Spranger</strong></a><strong> - leading examples of the sophisticated </strong><a onclick="w=window.open ('/database/glossary/glossar3.html#mannerism', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false" href="http://www.wga.hu/bio/a/aachen/biograph.html"><strong>Mannerist</strong></a><strong> art then in vogue at the courts of Northern Europe, and he was particularly good with playfully erotic nudes (</strong><a onclick="return OpenOther('/html/a/aachen/allegory.html')" href="http://www.wga.hu/html/a/aachen/allegory.html"><strong>The Triumph of Truth,</strong></a><strong> Alte Pinakothek, Munich, 1598). Engravings after his work gave his style wide infiuence and he ranks as one of the most important German artists of his time</strong>. </div><div><br /><a id="logo" title="Ir para a página inicial do Google" href="http://www.google.pt/webhp?hl=pt-PT"></a><br /><br /><br /><a class="l" onmousedown="return clk(this.href,'','','res','1','')" href="http://en.wikipedia.org/wiki/Hans_von_Aachen"><strong>Hans von Aachen </strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','2','')" href="http://www.artcyclopedia.com/artists/aachen_hans_von.html"><strong>Hans von Aachen</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','3','')" href="http://www.wga.hu/html/a/aachen/index.html"><strong>AACHEN, Hans von</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','4','')" href="http://wwar.com/masters/a/aachen-hans_von.html"><strong>Hans Von Aachen (1552 - 1615) </strong></a><br /><a class="l" onmousedown="return clk(this.href,'','','res','5','')" href="http://pt.wikipedia.org/wiki/Hans_von_Aachen"><strong>Hans von Aachen </strong></a></div><div><br /><a class="l" onmousedown="return clk(this.href,'','','res','7','')" href="http://www.mangoldt.com/"><strong>Hans Von Mangoldt Aachen</strong></a><strong>-</strong></div><div><a class="l" onmousedown="return clk(this.href,'','','res','8','')" href="http://xiluva.blogs.sapo.pt/arquivo/215029.html"><strong>Dicionário da Pintura Universal: 1 - Aachen, Hans von</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','9','')" href="http://www.getty.edu/art/gettyguide/artMakerDetails?maker=3241"><strong>Hans von Aachen (Getty Museum)</strong></a></div><div><a class="l" onmousedown="return clk(this.href,'','','res','10','')" href="http://www.biography-center.com/biographies/4732-Aachen_Hans_von.html"><strong> Biographies of Hans von Aachen </strong></a></div></div>ANJOS PRADAhttp://www.blogger.com/profile/17024624409184960658noreply@blogger.com